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26 Jun 2001: The 10 metre beam centrifuge. A centrifuge package on its swing. An instrumented foundation. A flexible earthquake model container.

19 Sep 2001: Civil, Structural and Environmental Engineering - Division D. Welcome. Division D is one of six sectors into which the inter-disciplinary, "general" Engineering Department of Cambridge University is divided for administrative purposes. It contains

30 Mar 2001: The new information society must be built in the image of the old industrial economy. ... Lawrence Lessig, Code: and other laws of cyberspace, Basic Books, New York 1999.

30 Mar 2001: shift in distribution relationships, a new era of communication that is both a result of, and reflected in, new mobile and P2P technologies. ... 2] From Carolyn Marvin - When Old Technologies Were New, Oxford University Press, 1990.

6 Sep 2001: Dewdney, A.K. (1993). The New Turing Omnibus. Computer Science Press. A classic study which remains completely relevant is:. ... Brooks, F.P. (1995). The Mythical Man Month (Anniversary edition). Addison-Wesley. Byte and magazines like New Scientist and

19 Feb 2001: Launch of the new Centre for Research in the Arts, Social Sciences and Humanities. ... 5. Nine out of 26 received a rating of 5. Two new publications are also being launched today (Tuesday 20 February 2001):.

7 Oct 2001: the lowest overall word error rate in the 1997 DARPA broadcast news evaluation, by a statistically significant margin. ... U.S.A.") and known stemming exceptions (e.g. news/new; Californian/California). Query terms were weighted by their part-of-speech

29 Dec 2001: We wish to use this new generation of controllers both for real-time control of the network and for programmming the home to set its future actions and behaviour. ... The Rabbit Wand is one example of a new generation controller.

6 Sep 2001: Ownership of computer software: a new problem in intellectual property rights.

21 Mar 2001: albums. Yet, at the beginning of a new century, these fixed Fordist forms are being superseded. ... This new situation won't just create new social, technological and aesthetic paradigms for music-making.