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ii) MANIPULATING THE BIASES! I wrote a cheery account of reading Michael Lewis’s book about the psychology pioneers Kahneman and Tversky.

Shakespeare was clearly familiar with the principles of faculty psychology handed down to the Renaissance from antiquity, according to which “imagination” is the part of the soul responsible for creating “phantasms”

GUEST CONTRIBUTOR. This post is by Emily Troscianko. (Emily T. Troscianko works somewhere between the cognitive and medical humanities, writes a blog on eating disorders for Psychology Today, and coordinates postdoctoral

song on the non-human parts of the soul draws primarily on Bryskett’s Aristotelian psychology in his Discourse of Civill Life, but it also echoes Marsilio Ficino’s account of

King Lear is not about the psychology of the aging brain, nor is it a true story, and yet it may have truth to tell about the psychology of the aging ... It doesn’t matter that the authors in question have almost never read the relevant psychology that

However, it brings the psychology of restraint back into focus, in a play where Macbeth, having fallen once, is capable of further, escalating violence.

There seems to be a tendency throughout the essays to take “evidence”—texts—at face value, and to resort to psychology when what is called for is theory.

Shakespeare was clearly familiar with the principles of faculty psychology handed down to the Renaissance from antiquity, according to which “imagination” is the part of the soul responsible for creating “phantasms”

Thus, it seems that Hughes figures the pre-psychology of his relationship with Plath in terms of her being a victim and him just being bored.

The art of greetings Michael Rosen and Dr Laura Wright discuss the origins and psychology […]. Nicolette Zeeman is lecturing on ‘The Hypocritical Figure’ from her forthcoming book on medieval allegory and

In an essay on ‘The Psychology of Punctuation’ published in 1948, E.L. ... iii] E. L. Thorndike, ‘The Psychology of Punctuation’, American Journal of Psychology, 61 (1948), 222-8, pp.

Affect and Psychology in Edmund Spenser’s Faerie Queene. Organizer: Scott C.

Shakespeare was clearly familiar with the principles of faculty psychology handed down to the Renaissance from antiquity, according to which “imagination” is the part of the soul responsible for creating “phantasms”

byM.C. Green and T.C. Brock, ‘The Role of Transportation in the Persuasiveness of Public Narratives’, Journal of Personality and Social Psychology, 79 (2000), 701-721.

well. The book in question is Recreative Minds: Imagination in Philosophy and Psychology (Oxford University Press, 2002).

So there’s no main verb here. Sorry about that. It’s wonderfully vivid in its psychology: as Juliet imagines each possible scenario – here, waking up alone, in the dark, before

In my last post I tried out a way of thinking about the replication crisis in psychology from a literary critic’s perspective. ... And then today I read about this latest failed attempt to reproduce a famous finding in social psychology.

One of the things they are commonly thought to know about is psychology (motives, emotions, etc.)..

Ed Yong, ‘Psychology’s Replication Crisis Is Running Out of Excuses’, The Atlantic, 19th Nov 2018:. ... It isn’t scornful in doing so, but it clearly thinks that the failure of 50% of these replications poses a severe challenge to the scientific

the Wellcome Collection in London puts together art and psychology, focusing especially on the fringes of consciousness.