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They have often assumed that their work should 'speak back' to regimes of socio-economic privilege - regimes which are usually conflated with the regulatory systems of literary convention and genre.

cultural relations in the Caribbean, entitled 'Developing New Worlds: Property, Freedom, and the Economics of Representation in Early Modern England and the Caribbean.' 1) On Tues 23rd Feb at the Renaissance

of the human for polemical, economic, or experimental purposes, rendering the category productively ambiguous and malleable.

Carannog and the Dragon Beowulf the Warrior King […]. Laura Davies’ project ‘A Good Death’ has received £1000 from the Economic and Social Research Council for a collaborative public event with the

01/12/15. G-R06/07. On Not Defending Poetry: The Economics of Sidney’s Golden World. ... between drama and economy, drama and law: how did legal, social and economic practices of the time condition Renaissance drama?

It aims to explore the social, economic and spatial factors underpinning the changing way ordinary men demonstrated their commitment to God and the church(es) in a period of significant turmoil.

The essays engage economic, social and political contexts, as well as contemporary critical debates and Spenser’s status in the canon of British poets.

Property, Freedom, and the Economics of Representation in Early Modern England and the Caribbean.' 1) On Tues 23rd Feb at the Renaissance research workshop, Dr Forman will be talking informally about

meditation on the contradictions of art-market economics.

Speakers will include: Richard Fisher (former Managing Director of Academic Publishing at Cambridge University Press), Rupert Gatti (Faculty of Economics/Open Book Publishers), Anne Jarvis (University Librarian, Cambridge University Library), Danny