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In Chapter 4, Maus details how Merchant’s characters desire affection that cannot be reduced to pure economic exchange. ... More broadly, Maus’s topic feels as informed by contemporary economic realities as by current scholarly debates.

The moral asymmetry between Henry and Leonard only serves to highlight the economic inequalities between them. ... Another concern about the sustainability of the Empire was awoken in the fall of national birthrates.

In the centuries to follow, the poem has already invited substantive and influential examination for its illumination of nation and nationhood in Elizabethan England, for its window into bibliographic and book ... grounded in one of its most notable

No room in history’: Genre and Identiy in British and Irish National Histories, 1541-1691.” Proquest Dissertations and Theses. ... This approach expands the recent scholarly attention to collaborative literary activity while remaining grounded in the

The final three essays of XXXI deal in various ways with intertextuality and reception and offer case studies of three very different sets of historical and personal circumstances. ... The final essay in this section, ‘Spenser’s Pastoral Places’ by

Fairy King from a pagan god to a creative tool of political legitimation within the wider complex of cultural change, religious reorientation, and socio-economic restructuring. ... cross-cultural interaction mediated by factors both economic (the context

Yulia Ryzhik. Princeton University. Because allegory concerns itself with abstractions and permanent structures of thought, it has difficulty addressing the contingencies inherent in economics. ... The central concern in this examination of Spenser’s

My analysis of the legal material aims to contextualize it within social, economic and historical circumstances, and also within its immediate material circumstance: the manuscript. ... I have published articles and books on the examination of Old and

self-revision that Spenser appropriates to claim his place in a variously national and international tradition. ... Spenser’s final satyr tale, in the Mutabilitie Cantos, provides a culminating account of human limitation, when in the hapless Faunus he

Venue: Keynes Room, CUL. Early Modern Economic and Social History. 12 May, 5pm in Room 12 of the History Faculty. ... The final seminar of the series will be given by Jane Munro, Keeper of Paintings, Drawings and Prints at the Fitzwilliam.

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

London represents the economic paradox that the idea of luxury encompasses: its growth in wealth, strength, abundance, and magnificence is the sign of national triumph, while all those qualities also threaten ... The final section then looks at political

The INT will inform successful candidates and departments in good time for finalisation of submissions before the Leverhulme national deadline of 4pm on the 22 February 2024. ... Final decisions from the Leverhulme Trust regarding successful applicants

This pilot study showcases the research potential of these exciting collections, which form an important part of our national cultural heritage. . ... Third, the need to situate this poetry in its textual and social environments, so as to enable more

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

The final section provides a case study of Wilton House, Wiltshire, viewed from several different perspectives, while the afterword offers reflective pieces by a National Trust collections and exhibitions curator, a ... intellectual center against the

Gerald de Malynes, Thomas Milles, Edward Misselden, and Thomas Mun—worked to produce the autonomous discourse of economics as a site proper to financial transactions. ... Attendant to the physical properties of sixteenth-century coins, Landreth

The last two chapters—roughly the final third of the book—focus on Spenser. ... Book 6 of The Faerie Queene, one that is linked to the economics of slavery.

This short paper will include an examination of a couple of the most extraordinary of their imaginings and of the dangers associated with privileging such readings of radical meteorological change. ... Mary Villeponteaux. Georgia Southern University.

also the study of patterns of practices, and thus frames her examination of St Paul’s Cathedral as a negotiation between different forces of human action. ... The unity of the urban and the rural is thus promoted as necessary for both civic and

The first session kicked off with a talk from Rupert Gatti, Fellow in Economics at Trinity and one of the founders of Open Book Publishers (www.openbookpublishers.com), explaining ‘Why the ... Our final ‘view’ of the day was ‘The View from

on a global scale, of various forms of difference (racial, religious, socio-economic, biological) as well as the need to defend, with renewed ferocity, the rights and freedoms of the marginalised – ... to the richness and complexity of the notion of

In an even more startling change, Fairfax diverges entirely from the Italian in the final couplet. ... The caesural profusion in the final couplet arrests the reader’s attention at this very moment, lingering and pulsing in desire, like the twitching

Half-Rhyme: Consonance on the final consonants of the words at line endings (so 'moon' could be a half-rhyme for 'stone'). ... Such emulation was encouraged by the university: on the final day of exams, the Questionists (Fourth years) were 'bracketed'

Francesco Cieco wrote the poem during the tumultuous final years of the fifteenth century. ... The final section of the dissertation explores the ways in which poets on both sides of the English Civil War manipulated Jonson’s poetic legacy.

economy (with Florimell representing older agricultural interests and Marinell the new maritime economic expansion). ... Elizabeth manifested to ‘mix marriage negotiations, religious politics, and economic undertakings in ways that complicated all

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

A key feature of Brink’s examination of Spenser’s education and early life is her claim that he was all set for a church career and not a court career ... An unwillingness to home in on the economic reasons for Spenser going to Ireland mean that

The second explores the perils of collusion. The third follows the Old English into war, and the fourth counts the economic cost of the conflict. ... The final chapter and the epilogue chart the displacement of the Old English by the new men.

However the novel is also notable for its examination of multicultural relations and the racism and alienation experienced by immigrants in 1980s Britain. ... As long as Samad views himself as a colonial subject he is able to keep his racial and national

mind when considering Henry VII’s reign, such as the role of the government in social and economic regulation. ... The final chapters of the book move on to Henry VIII’s reign, and take a more narrative approach.

No Nation Voide of Myxture’: Representations of Generic and National Mixtures in the Irish Histories of Spenser, Campion, and Hanmer”. ... criticism. This presentation aims to bring them back under critical examination and, perhaps, show the

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

giving, owing, debt, and credit that govern broader social, familial, and economic structures of exchange. ... This skipping over is perhaps most severe an issue in the final chapter, which treats ‘Inheritance, Money, Modernity’.

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

Meanwhile, his literary career was initiated at age twenty, no doubt less by artistic inspiration than by the more common motive of economic necessity. ... By Steven W. May. University of Sheffield. [1] Michael Neill, “Ford, John,” Oxford Dictionary

Historiography panel: Space, Geography and Memory’. Early Modern Economic and Social History Seminar. ... The final seminar of the series will be given by Jane Munro, Keeper of Paintings, Drawings and Prints at the Fitzwilliam.

of world economics in the fourteenth century: how the Crusades, the slave trade, ship design, European politics, and the desirable products of the Middle East and beyond[,] all affected the trading ... the final say in matters of belief, and following

One of the major questions motivating this examination asks why does Spenser return to the pastoral once he has traversed into epic? ... His early work is resolutely non-national, and his Ireland is a space that is part of the world: deeply mixed and

kingdoms became national types, representing an identity to be performed, rather than genealogical forebears. ... in which the question of historicity becomes less important than Higgins’s construction of a national tradition.

The rest of the introductory chapter strengthens and advances Olson’s argument for the value of championing Early Modern authors’ materialist perspective through the examination of dramatic and prose works. ... the extent to which theatrical

Boudica confronted the Roman governor, Suetonius Paulinus, in a final battle: “Boudica herself, with her two daughters, drove from tribe to tribe in her chariot in order to address her warriors,” ... There follows a thorough discussion of Cymbeline,

The magic word seems to be “contextualization.” The collection of articles edited by Stephen Hamrick presents Tottel’s Songes and Sonettes in its publication context, but also in its ideological, economic ... J. Christopher Warner investigates the

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

The final three books published in the 1596 edition of The Faerie Queene have become associated with the anti-Irish sentiment expressed in Spenser’s View. ... This is well-worn ground in comparison with the terrain mapped out earlier in Lecky’s

on a global scale, of various forms of difference (racial, religious, socio-economic, biological) as well as the need to defend, with renewed ferocity, the rights and freedoms of the marginalised – ... to the richness and complexity of the notion of

Surprisingly, where many of these works touch on national and theological matters, the characters’ discourse becomes conspicuously logical, adopting an unnaturally objective tone full of formal syllogisms. ... My final chapter demonstrates how Queen

His first-hand observations of military activities are put into a local context such as the economic impact on the surrounding community or the excitement generated. ... When placing events in a larger, national or European framework, he often had to

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution