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3 Jul 2024: Gallery – Centre for Material Texts https://www.english.cam.ac.uk/cmt History of the Book at Cambridge Tue, 24 Nov 2020 10:26:24 0000 en-US hourly 1 relational gestures / a post by Helen Magowan https://www.english.cam.ac.uk/cmt/?p=5979 https://www

Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.

Torino: Erasmo, 1960. Rumeu de Armas, Antonio. Hernando Colón, historiador del descubrimiento de América. ... Two vols. (vol. I catalogue, vol. II indexes). Segura Morera, Antonio & Pilar Vallejo Orellana.

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

8] Antonio de Torquemada, The Spanish Mandeuile of Miracles (1600), sig.33v: “there is indeede much talke of the Mermaydes, whom they say from the middle vpward to haue the shape ... San Antonio photo booth rental 8 months, 3 weeks ago.

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... ANTONIO  Let’s all sink wi’th’King. SEBASTIAN  Let’s take leave of him.

On the one hand, the play features numerous acts of decision: Bassanio decides to woo Portia, Portia decides to marry according to the terms of the lottery, Antonio decides to agree ... On the other hand, the play casts these decisions under the umbra of

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

But it’s consistent with my reason for blogging about it. Mack uses the word ‘cognitive’ often, but although he cites Antonio Damasio on a number of occasions (mostly in relation

ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

ANTONIO I know it well. PANTINO ’Twere good, I think, your lordship sent him thither. ... PANTINO  ’Twas of his nephew Proteus, your son. ANTONIO Why, what of him?

Please you deliberate a day or two. ANTONIO  Look what thou want’st shall be sent after thee. ... You shall be employed To hasten on his expedition. [Exeunt Antonio and Pantino] (1.3.72-77) Proteus is holding […]. ANTONIO  My will is something

26 May 2020: I am afraid/p pHe will chastise me./p pSEBASTIAN Ha, ha!br / What things are these, my lord Antonio?/p pWill money buy ’em?/p pANTONIO Very like. ... Unkind words of reproach and rebuke? Curses? Or the dreaded pinching?/p pThe parallel is neatly

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.