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She then turns to Shakespeare’s The Merchant of Venice to argue that, rather than showing the ways in which characters such as Shylock and Antonio are simply subject to physiological ... She argues that Antonio, seeing the story of Jacob and Laban’s

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.

uncle, called Antonio— I pray thee mark me, that a brother should Be so perfidious – he, whom next thyself Of all the world I loved, and to him put The manage

SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this? ... SEBASTIAN  He’s gone. ANTONIO  Then tell me, Who’s the next heir of Naples?

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

relational gestures / a post by Helen Magowan. November 24th, 20201 Sasareishi, volume 1 f.12v-13r. 1713, Hasegawa Myōtei. Ebibunko. The first image in this blog post shows a page from a book published in 1713. In three volumes, it’s a

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.

Enter SEBASTIAN, ANTONIO and GONZALO. Yet again? What do you here? Shall we give o’er and drown? ... BOATSWAIN  Work you, then. ANTONIO  Hang, cur! Hang you, whoreson, insolent noise-maker!

3 Jul 2024: M. Wilson In act 1 scene 2 of Shakespeare’s The Two Gentlemen of Verona, Antonio discusses his son with his friend Panthino. ... E. M. Wilson/strong/p p/p pIn act 1 scene 2 of Shakespeare’s emThe Two Gentlemen of Verona/em, Antonio discusses his son

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of

Torino: Erasmo, 1960. Rumeu de Armas, Antonio. Hernando Colón, historiador del descubrimiento de América. ... Two vols. (vol. I catalogue, vol. II indexes). Segura Morera, Antonio & Pilar Vallejo Orellana.

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this?