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24 March 2010. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

36r. Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

Manuscripts in the making. Hours of the Virgin. Texts and Images. A frontispiece showing the Annunciation with the patrons introduces the Hours of the Virgin. The text of Matins, the first of the 8 Hours recited daily at the canonical times for

Folio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline).

Breslau, now Wroclaw 1799 - 1853 Berlin. 2019-S.24: Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris.

Layers. Folio 24 r. Virgin and Child (prayer O intemerata). This composition, with a figure seated on a bench and books displayed on the desk, replicates the design of the image

Manuscripts in the making. Hours of the Cross. Texts and Images. The Hours of the Cross marked the specific times of the day associated with the stages in Christ’s Passion. This manuscript contains the short version, with seven rather than all

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

the Fitzwilliam Museum collection, now on display in case 24.

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

Manuscripts in the making. The Pabenham-Clifford Hours. England,. c. 1315-1320. MS 242. Books of Hours, often personalised for individual use, were essential to the devotional practices of both the clergy and lay people who counted them among their

24 September 2010. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Manuscripts in the making. Master of the Grandes Heures. Artists. A talented associate of the Master of the Bible of Jean de Sy painted nine of the ten large miniatures of the Grandes Heures, together with their bas-de-page scenes, as well as most

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Fixed-term: The funds for this post are available for 24 months in the first instance.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Manuscripts in the making. Modelling of draperies. Artists' Techniques. Draperies of different colours were modelled in different ways. Dark blue, orange and dark pink fabrics were painted in uniform hues, with folds defined by black lines, and

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

Carl Blechen. Artist. Nationality: German. 1798 - 1840. At age 24, Blechen left his career in banking to attend the Academy of Arts, Berlin, where he studied under landscape artist Peter Ludwig

Manuscripts in the making. Yellow and orange pigments. Artists' Materials. Technical analyses revealed the presence of realgar, lead-tin yellow type I, an organic yellow and an ochre rich in clay minerals. The same clay-rich ochre was also used to

Museum over the ten years 1999–2009, which ran from 20 October 2009 to 24 January 2010.

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

24: The Ponte Nomentano, the Sabine Hills in the Distance.

Manuscripts in the making. Green pigments and mixtures. Artists' Materials. Green hues were obtained in a variety of ways: copper sulphates, copper carbonates as well as mixtures of azurite with lead-tin yellow and an organic yellow were identified.

A bust of Napoleon. The army with which Napoleon invaded Russia on 24 June 1812 is thought to have been the largest ever assembled for a single campaign up to that

Manuscripts in the making. Differences in palette. Artists' Materials. Some of the differences in palette identified within the manuscript allow us to specify the palette used by each of the four main artists. In most cases, the technical analysis

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

Folio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline).

00:08:06 - 00:08:24. Elvira somebody who's worked at the Tate Modern. ... 00:08:24 - 00:09:46. Elvira It's so interesting that you mention technique.

Interviews will be held on 24 February 2022. Please quote reference DA29409 on your application and in any correspondence about this vacancy.

The mummified late-Roman cat in case 18, gallery 19, and the painted Predynastic pot in case 24, gallery 19, are examples of some of the objects he presented to the

Towry Whyte, E. (1902) 'Types of ancient Egyptian draughts-men', Proceedings of the Society of Biblical Archaeology 24.

00:03:24 - 00:03:24. Matt Smith and, I think,. 00:03:25 - 00:03:38. ... 00:14:09 - 00:14:24. Matt Smith would they somehow link this idea of doing some prints using flowers?

Manuscripts in the making. The Painter of Additional 15677. Artists. Most of the large miniatures and historiated initials were illuminated by an artist named the Painter of Additional 15677 after another Book of Hours (London, BL, Add. MS 15677).

J.M. Wagstaff, ‘Colonel Leake’s collections: their formation and their acquisition by the University of Cambridge’, Journal of the History of Collections 24(3) (2012) pp.

Layers. Folio 24 r. Virgin and Child (prayer O intemerata). This composition, with a figure seated on a bench and books displayed on the desk, replicates the design of the image

24 February 2016. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

These include the Fitzwilliam's own Outdoor Festival of Chinese Culture planned for 24 July 2010, a day-long celebration of Chinese culture offering music, art, food and more, in the

Salary range: £35,308-£43,155 Closing date: 24 July 2023. Download the job pack.

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

2016-S.24: Fondation Custodia. Storm at Handeck, Alexandre Calame. PD.38-2004: Fitzwilliam Museum.

Texts and Images. The third book, with 24 chapters, is devoted to the human soul and its relation to the body.

Salary range: £31,406-40,927 Closing date: 24 October 2021. Download the job pack.