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Folio 24v | Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/material/yellow-and-orange-pigments/folio/folio-24v-41436r. Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677. -
The Fitzwilliam Museum - Curator of Contemporary and Modern British…
https://www.fitzmuseum.cam.ac.uk/about-us/work-with-us/details/curator-of-contemporary-and-modern-british-art-fixed-termFixed-term: The funds for this post are available for 24 months in the first instance. -
Folio 2v | The Pabenham-Clifford Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pabenham-clifford-hours/theme/hours-of-the-virgin/folio/folio-2vManuscripts in the making. Hours of the Virgin. Texts and Images. A frontispiece showing the Annunciation with the patrons introduces the Hours of the Virgin. The text of Matins, the first of the 8 Hours recited daily at the canonical times for -
The Fitzwilliam Museum - Carl Blechen
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/artists/carl-blechenCarl Blechen. Artist. Nationality: German. 1798 - 1840. At age 24, Blechen left his career in banking to attend the Academy of Arts, Berlin, where he studied under landscape artist Peter Ludwig -
Folio 24v | The Hours of Philip the Bold | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-philip-the-bold/artist/master-of-the-grandes-heures/folio/folio-24vFolio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline). -
The Fitzwilliam Museum - View of Capri
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels/view-of-capri-kopischBreslau, now Wroclaw 1799 - 1853 Berlin. 2019-S.24: Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris. -
Folio 24r | The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/artist/assistants-of-the-rohan-masters/folio/folio-24r-212Layers. Folio 24 r. Virgin and Child (prayer O intemerata). This composition, with a figure seated on a bench and books displayed on the desk, replicates the design of the image -
Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/theme/hours-of-the-cross-158Manuscripts in the making. Hours of the Cross. Texts and Images. The Hours of the Cross marked the specific times of the day associated with the stages in Christ’s Passion. This manuscript contains the short version, with seven rather than all -
The Fitzwilliam Museum - Joseph Mallord William Turner A Beech Wood…
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/viewpoints/18Joseph Mallord William Turner A Beech Wood with Gypsies Round a Campfire, and A Beech Wood with Gypsies seated in the Distance. Viewpoint details. A Beech Wood with Gypsies seated in the Distance. A Beech Wood with Gypsies round a Campfire. It -
The Fitzwilliam Museum - Magdalene Odundo Audio: Memories of Nigeria
https://www.fitzmuseum.cam.ac.uk/conversations/podcasts/episode/magdalene-odundo-audio-memories-of-nigeriaPart of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022. -
The Fitzwilliam Museum - James Quibell
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/patrons-donors-collectors/james-quibellthe Fitzwilliam Museum collection, now on display in case 24. -
The Fitzwilliam Museum - Magdalene Odundo Audio: Visits to the…
https://www.fitzmuseum.cam.ac.uk/conversations/podcasts/episode/magdalene-odundo-audio-visits-to-the-fitzwilliamPart of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022. -
The Fitzwilliam Museum - Discover Persian music at the Fitzwilliam…
https://www.fitzmuseum.cam.ac.uk/news/discover-persian-music-at-the-fitzwilliam-with-special-evening-concerts24 September 2010. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more…. -
Folio 24v | Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/material/green-pigments-and-mixtures/folio/folio-24v-414Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677. -
Folio 1r | The Psalter-Hours of Isabelle of France | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-psalter-hours-of-isabelle-of-france/folio/folio-1r-370It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904. -
The Hours of Philip the Bold | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-philip-the-bold/artist/master-of-the-grandes-heuresManuscripts in the making. Master of the Grandes Heures. Artists. A talented associate of the Master of the Bible of Jean de Sy painted nine of the ten large miniatures of the Grandes Heures, together with their bas-de-page scenes, as well as most -
Folio 95r | The Psalter-Hours of Isabelle of France | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-psalter-hours-of-isabelle-of-france/folio/folio-95r-376It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904. -
Folio 26r | The Psalter-Hours of Isabelle of France | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-psalter-hours-of-isabelle-of-france/folio/folio-26r-371It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904. -
Folio 2v | The Pabenham-Clifford Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pabenham-clifford-hours/technique/modelling-of-draperies-32/folio/folio-2vManuscripts in the making. Modelling of draperies. Artists' Techniques. Draperies of different colours were modelled in different ways. Dark blue, orange and dark pink fabrics were painted in uniform hues, with folds defined by black lines, and -
Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/material/yellow-and-orange-pigmentsManuscripts in the making. Yellow and orange pigments. Artists' Materials. Technical analyses revealed the presence of realgar, lead-tin yellow type I, an organic yellow and an ochre rich in clay minerals. The same clay-rich ochre was also used to -
Folio 2v | The Pabenham-Clifford Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pabenham-clifford-hours/folio/folio-2vManuscripts in the making. The Pabenham-Clifford Hours. England,. c. 1315-1320. MS 242. Books of Hours, often personalised for individual use, were essential to the devotional practices of both the clergy and lay people who counted them among their -
The Fitzwilliam Museum - Select Acquisitions of Drawings and Prints,…
https://www.fitzmuseum.cam.ac.uk/research/online-resources/select-acquisitions-of-drawings-and-prints-1999-2009Museum over the ten years 1999–2009, which ran from 20 October 2009 to 24 January 2010. -
Folio 24v | Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/material/differences-in-palette-172/folio/folio-24v-414Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677. -
The Fitzwilliam Museum - Joseph Mallord William Turner
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/artists/joseph-mallord-william-turnerJoseph Mallord William Turner. Artist. Nationality: British. 1775 - 1851. Turner’s annual trips throughout Britain and multiple continental tours fed his vast output of landscape paintings. Painting from nature, however, was not a regular activity -
Folio 226r | The Hours of Philip the Bold | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-philip-the-bold/make/physical-description-57/folio/folio-226ri modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some -
Folio 227r | The Hours of Philip the Bold | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-philip-the-bold/make/physical-description-57/folio/folio-227ri modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some -
The Fitzwilliam Museum - The labels - True To Nature. Open-air…
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels24: The Ponte Nomentano, the Sabine Hills in the Distance. -
Folio 226v | The Hours of Philip the Bold | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-philip-the-bold/make/physical-description-57/folio/folio-226vi modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some -
Folio 237r | The Hours of Philip the Bold | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-philip-the-bold/make/physical-description-57/folio/folio-237ri modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some -
Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/material/green-pigments-and-mixturesManuscripts in the making. Green pigments and mixtures. Artists' Materials. Green hues were obtained in a variety of ways: copper sulphates, copper carbonates as well as mixtures of azurite with lead-tin yellow and an organic yellow were identified. -
The Fitzwilliam Museum - Napoleon in Russia
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/stories-and-histories/napoleon-in-russiaA bust of Napoleon. The army with which Napoleon invaded Russia on 24 June 1812 is thought to have been the largest ever assembled for a single campaign up to that -
Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/material/differences-in-palette-172Manuscripts in the making. Differences in palette. Artists' Materials. Some of the differences in palette identified within the manuscript allow us to specify the palette used by each of the four main artists. In most cases, the technical analysis -
Folio 238v | The Hours of Philip the Bold | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-philip-the-bold/make/physical-description-57/folio/folio-238vi modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some -
Folio 24v | Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/artist/the-painter-of-additional-15677/folio/folio-24v-414Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677. -
Folio 24v | The Hours of Philip the Bold | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-philip-the-bold/folio/folio-24vFolio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline). -
The Fitzwilliam Museum - Research Associate: Literary and Artistic…
https://www.fitzmuseum.cam.ac.uk/about-us/work-with-us/details/research-associate-literary-and-artistic-archives-fitzwilliam-museumInterviews will be held on 24 February 2022. Please quote reference DA29409 on your application and in any correspondence about this vacancy. -
The Fitzwilliam Museum - New Art, New Perspectives: Lynette…
https://www.fitzmuseum.cam.ac.uk/conversations/podcasts/episode/new-art-new-perspectives-lynette-yiadom-boakyes-first-flight00:08:06 - 00:08:24. Elvira somebody who's worked at the Tate Modern. ... 00:08:24 - 00:09:46. Elvira It's so interesting that you mention technique. -
The Fitzwilliam Museum - Greville John Chester
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/patrons-donors-collectors/greville-john-chesterThe mummified late-Roman cat in case 18, gallery 19, and the painted Predynastic pot in case 24, gallery 19, are examples of some of the objects he presented to the -
The Fitzwilliam Museum - Edward Towry Whyte
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/patrons-donors-collectors/edward-towry-whyteTowry Whyte, E. (1902) 'Types of ancient Egyptian draughts-men', Proceedings of the Society of Biblical Archaeology 24. -
Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/artist/the-painter-of-additional-15677Manuscripts in the making. The Painter of Additional 15677. Artists. Most of the large miniatures and historiated initials were illuminated by an artist named the Painter of Additional 15677 after another Book of Hours (London, BL, Add. MS 15677). -
The Fitzwilliam Museum - A simple shape repeated – Halima Cassell
https://www.fitzmuseum.cam.ac.uk/conversations/podcasts/in-my-minds-eye/a-simple-shape-repeated-halima-cassell00:02:24 - 00:02:37. Halima Cassell it be food, books, reference books or through the Internet and most museums have digital media within the museum, which you can access ... 00:13:24 - 00:13:28. spk_0 Well, I've done few sketches already, but I've not -
The Fitzwilliam Museum - William Martin Leake
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/patrons-donors-collectors/william-martin-leakeJ.M. Wagstaff, ‘Colonel Leake’s collections: their formation and their acquisition by the University of Cambridge’, Journal of the History of Collections 24(3) (2012) pp. -
The Fitzwilliam Museum - The secrets of ancient Egyptian artisans on…
https://www.fitzmuseum.cam.ac.uk/news/the-secrets-of-ancient-egyptian-artisans-on-show-in-death-on-the-nile24 February 2016. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more…. -
Folio 24r | The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/folio/folio-24r-212Layers. Folio 24 r. Virgin and Child (prayer O intemerata). This composition, with a figure seated on a bench and books displayed on the desk, replicates the design of the image -
The Fitzwilliam Museum - Fitzwilliam welcomes top British gymnast for …
https://www.fitzmuseum.cam.ac.uk/news/fitzwilliam-welcomes-top-british-gymnast-for-london-2012-open-weekend-launchThese include the Fitzwilliam's own Outdoor Festival of Chinese Culture planned for 24 July 2010, a day-long celebration of Chinese culture offering music, art, food and more, in the -
The Fitzwilliam Museum - Research Associate: Collections & Early…
https://www.fitzmuseum.cam.ac.uk/about-us/work-with-us/details/research-associate-collections-and-early-childhoodSalary range: £35,308-£43,155 Closing date: 24 July 2023. Download the job pack. -
Folio 24v | Book of Hours | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/book-of-hours/theme/hours-of-the-cross-158/folio/folio-24v-414Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677. -
True to Nature: Open-air Painting in Europe 1780-1870
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-18702016-S.24: Fondation Custodia. Storm at Handeck, Alexandre Calame. PD.38-2004: Fitzwilliam Museum. -
Jean Corbechon, Livre des propriétés des choses | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/jean-corbechon-livre-des-proprietes-des-choses/theme/book-3-on-the-soul-and-reasonTexts and Images. The third book, with 24 chapters, is devoted to the human soul and its relation to the body. -
The Fitzwilliam Museum - Research Coordinator: Collections -…
https://www.fitzmuseum.cam.ac.uk/about-us/work-with-us/details/research-coordinator-collections-connections-communitiesSalary range: £31,406-40,927 Closing date: 24 October 2021. Download the job pack.
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