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FSQ March 2nd
https://www.clarehall.cam.ac.uk/wp-content/uploads/2024/03/FSQ-March-2nd.pdf29 Feb 2024: favour, having neglected to subscribe to the first performance of the B flat quartet (Op.130) – to which Beethoven laughingly responded with a canon on the “answer”. ... INTERVAL. The Seven Last Words of our Saviour on the Cross, Op.51 Franz Joseph -
FSQ JAN 20
https://www.clarehall.cam.ac.uk/wp-content/uploads/2024/01/FSQ-JAN-20.pdf18 Jan 2024: these were published in Vienna in 1787, making them roughly contemporary with Haydn’s Op.50. ... AG 2024INTERVAL. Quintet in C major, D.956 (Op.163, 1828) Franz Schubert(1797 – 1828). -
canomoix
https://www.clarehall.cam.ac.uk/wp-content/uploads/2024/02/24-February-Concert-Programme.pdf23 Feb 2024: Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. ... 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. -
Amit Morgan
https://www.clarehall.cam.ac.uk/wp-content/uploads/2024/02/10-February-Programme.pdf8 Feb 2024: Schubert: Die Schöne Müllerin op.25 D7951. Das Wandern2. Wohin?3. Halt!4. Danksagung an den Bach5. ... Barber: Hermit Songs op.291. At St. Patrick’s Purgatory2. Church Bell at Night3. -
Florentine Histories.
https://www.clarehall.cam.ac.uk/wp-content/uploads/2023/04/Machiavelli-Selected-Florentine-Histories.pdf18 Apr 2023: Nonetheless, the sects of Albizzi and Ricci were watchful, and each out of hatred for the other would op pose the other’s alliances, undertakings, and decisions. ... After these appeared another multitude, and, finding no op position, with terrible -
SNLiii The New Science Giambattista Vico Translated and Edited ...
https://www.clarehall.cam.ac.uk/wp-content/uploads/2023/04/Vico-Selected-The-new-science.pdf21 Apr 2023: SNLiii. The New Science. Giambattista Vico. Translated and Edited by Jason Taylor and Robert Miner. with an Introduction by Giuseppe Mazzotta. New Haven and London. SNLv. Contents. E D I T O R S ’ P R E FA C E ix. A C K N O W L E D G M E N T S xv.
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