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The Cycle of Songs Producer Helen Weinsten and Artistic Director Marcus Romer will be available from 17.00 to 20.30 to tell people more about the project.

Manuscripts in the making. Full-page prefatory miniatures. Texts and Images. The prefatory cycle contains eight full-page miniatures depicting events in Christ’s early life, starting with the Annunciation. Found in deluxe Psalters, such cycles

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Manuscripts in the making. Painting the flesh. Artists' Techniques. Flesh tones contain mostly lead white, with occasional additions of small amounts of earth pigments and red lead. Some figures, like the wild man (fol. 58r) and St John the Baptist

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Almost 350 small antiquities were presented to the museum including the limestone relief from Pepy II's temple at Saqqara (E.182.1939) on display in case 3, gallery 20.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

University of Cambridge A feast for the senses. CRASSH Pineapple Conference 20 - 21 February 2020.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The detached miniatures were among those sold at Phillips, London, 20 October 1983 (lot 467) and purchased by Maggs who, in turn, offered 4 of them for sale in 1984 and

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Manuscripts in the making. Later modifications. Artists' Materials. When the manuscript was modified for Isabella Stuart, her arms were added to the border of several folios using gold and silver leaf as well as vermilion and carbon black. Her

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Manuscripts in the making. Blue pigments. Artists' Materials. Precious ultramarine blue was used by all the main artists in this manuscript, both in the figurative scenes and in the decorated initials. The blue ink used for rubrics and captions is

I made this recording on Tuesday, the 14th of July 2020 at 4:20 p.m. ... 00:03:19 - 00:03:20. Carmen Pryce How did this work come about?

Many of the objects found in the Main Deposit are on display in case 1, gallery 20.

Manuscripts in the making. Collation. Description and Contents. The manuscript has 20 quires, most consisting of four bifolios (quaternions).

One of the most recent of these was the sandstone temple relief of Domitian (E.1.2003) on display in case 10 in gallery 20.

Folio 20 r. The Virgin and Child with a patron (prayer Obsecro te).

It was a completely new name to me. 00:15:17 - 00:15:20. ... 00:20:47 - 00:20:50. Carmen Pryce Matt Smith, thank you for talking to me today.

Manuscripts in the making. The Rohan Master. Artists. The Rohan Master, who was probably trained by the Giac Master, may have worked as both a panel painter and an illuminator. He is named after a Book of Hours that belonged to the Rohan family of

Manuscripts in the making. Psalter. Texts and Images. The Psalter has 10 sections, following one of the common medieval systems of dividing the 150 Psalms into groups for daily recitation. Psalm 1 opens with a full-page historiated initial (fol. 12v)

Manuscripts in the making. Physical Description. Description and Contents. Parchment, ii paper flyleaves (first pasted to silk) ii contemporary parchment flyleaves 32 fols. ii paper flyleaves (second pasted to silk), 245 x 165 mm (155 x 80 mm), 26

Folio 20 r. Massacre of the Innocents. One of Hand C’s typically busy compositions, this image reveals his skill for dramatic story-telling.

Folio 20 v. The legend about Charlemagne and Florence. This page contains the legend of Charlemagne as Florence’s second founder and restorer after the city’s destruction by the Goths.

Folio 20 v. Ornamental initial U with the head of a king (Psalm 12).

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Folio 20 r. Massacre of the Innocents. One of Hand C’s typically busy compositions, this image reveals his skill for dramatic story-telling.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.