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The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Manuscripts in the making. Painting the flesh. Artists' Techniques. Flesh tones contain mostly lead white, with occasional additions of small amounts of earth pigments and red lead. Some figures, like the wild man (fol. 58r) and St John the Baptist

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

University of Cambridge A feast for the senses. CRASSH Pineapple Conference 20 - 21 February 2020.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The detached miniatures were among those sold at Phillips, London, 20 October 1983 (lot 467) and purchased by Maggs who, in turn, offered 4 of them for sale in 1984 and

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Jews in the synagogue, by Rembrandt. The betrayal of Christ by Judas, at night, with a kiss, in the Garden of Gethsemane, surrounded by soldiers and apostles, is arguably the most dramatic moment in the Gospel narrative. It is one of the first

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

20 October 2015. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

Installed on Wednesday 20 June, to coincide with Queen Victoria’s 181st anniversary of her accession (20 June 1837), it represents the final acquisition made by former Director Tim Knox, before

I will leave you with the image of Rubens’ Head Study of a Bearded Man, which I wrote about on my Instagram account on 20 March. ... Luke Syson Director and Marlay Curator. 20 April 2020. Sign up to our emails.

Manuscripts in the making. Underdrawing. Artists' Techniques. The extensive underdrawing in brown ink which is revealed in the majority of the illuminations, both through thinly laid colours or paint losses and in the near-infrared images, is

The Cycle of Songs Producer Helen Weinsten and Artistic Director Marcus Romer will be available from 17.00 to 20.30 to tell people more about the project.

Manuscripts in the making. Full-page prefatory miniatures. Texts and Images. The prefatory cycle contains eight full-page miniatures depicting events in Christ’s early life, starting with the Annunciation. Found in deluxe Psalters, such cycles

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Lion dance (all ages on front lawn – weather dependent, 13.00–13.20). ... Tai Chi (all ages on front lawn – weather dependent at 12.00–12.20 & 14.00–14.30).

Our second concert on 20 October was given by Francis Knights playing his harpsichord who later proclaimed on Twitter:.

After the discussion visitors will be invited to see the exhibition after hours until 20.00.

until 20:00.

Thanks to the generosity of His Grace, the Duke of Rutland, the Museum will from August 20 have the opportunity to display the three remaining paintings from Nicolas Poussin’s first

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Manuscripts in the making. Later modifications. Artists' Materials. When the manuscript was modified for Isabella Stuart, her arms were added to the border of several folios using gold and silver leaf as well as vermilion and carbon black. Her

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

Tara Kamangar, piano Saturday 11 December 2010, 18:30-20:30 £12 (£10 concessions), booking essential via Cambridge City Centre Box Office, Wheeler Street, Cambridge: 01223 357851.

Cambridge University Festival of Ideas official website. 20 October 2008. Sign up to our emails.

On Wednesday 20 February, 16.30 – 19.30, The Fitzwilliam Museum teams up with the Whipple Museum of the History of Science for its twilight event at the Museum.

20 February 2013. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

I made this recording on Tuesday, the 14th of July 2020 at 4:20 p.m. ... 00:03:19 - 00:03:20. Carmen Pryce How did this work come about?

Manuscripts in the making. Blue pigments. Artists' Materials. Precious ultramarine blue was used by all the main artists in this manuscript, both in the figurative scenes and in the decorated initials. The blue ink used for rubrics and captions is

Many of the objects found in the Main Deposit are on display in case 1, gallery 20.

20 November 2013. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

Connect 10 is matching ten exceptional contemporary artists with ten museums and galleries for Museums at Night 2012 on 18, 19 and 20 May.

20 November 2017. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

Manuscripts in the making. The Rohan Master. Artists. The Rohan Master, who was probably trained by the Giac Master, may have worked as both a panel painter and an illuminator. He is named after a Book of Hours that belonged to the Rohan family of