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The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The re-opening launched the new annual theme for exhibitions, and events for 2019/20 Sensual/Virtual.

Manuscripts in the making. The Hours of Isabella Stuart. France, Angers. c. 1431. MS 62. One of the most extensively illustrated Books of Hours in existence, this volume contains a unique, highly personalised combination of images and texts. It was

November 1817 – finds are shipped to Cairo 20 April 1818 – Henry Salt concedes a sarcophagus lid from the Valley of the Kings to Belzoni 27 January 1819 – Another shipment of finds

Photographer (Part Time). Details. This vacancy is now closed. Salary range: £27,929 - £32,348 Closing date: 20 February 2023.

On Friday 14 February the exhibition will be open to view until 20.00 and the film, starting at 18.00, will be introduced by its co-creator and narrator, Tim

The Hours of Isabella Stuart. Folio 20 r.

Rothermund (t), Dresden, by 1922; M. Sillberg, Breslau; his sale, Paris, Galerie Georges Petit, 9 June 1932 (20); P.M.

The exhibition forms part of the festival Curating Cambridge from 20 October to 23 November 2014.

Senior Collections Assistant. Details. This vacancy is now closed. Salary range: £27,929 - £32,348 Closing date: 20 November 2022.

The Hours of Isabella Stuart. Folio 20 r.

A hamburger joint supported a giant hamburger and bun 20 foot in the air, with a figure that tall holding another burger in his palm.

From 18.00 to 20.30, visitors can enjoy late openings of two popular exhibitions - Maggi Hambling: The Wave and Netsuke: Japanese Art in Miniature - as well as listening to live

Manuscripts in the making. Yellow pigments. Artists' Materials. Yellow pigments were not part of the shared palette, and were scarcely used throughout the manuscript. The Gaibana Master and his Associate did not use yellow at all. Hands B and C used

97v and fol. 14v respectively (Paris 1998, no. 183); Blanche of Navarre (1330-1398), second wife and queen of Philip VI (1293-1350), listed in the codicil (dated 20 March) to

It is expected that 20% of time in this role (which is full time) will be spent undertaking the relevant training to complete the apprenticeship.

2016. Life on Mars: Beagle 2 and Damien Hirst , until 20 November.

Manuscripts in the making. The Anointing Master. Artists. The Anointing Master takes his name from the only large, historiated initial that he painted, which shows the anointing of King David for Psalm 26 (fol. 39r). His slender, refined figures are

No prior booking required. Screenings of the performance are taking place in multiple locations world-wide during Refugee Week (20 - 26 June), to reflect the situation of many Syrians forced to

1455 on fol. 28r. Folio 20 r.

Museum over the ten years 1999–2009, which ran from 20 October 2009 to 24 January 2010.

The exhibition Ethiopian Encounters (Shiba Gallery) closes Sunday 20 January 2008.

Revelation, 20, 12. This image is a long way from the physically drained, broken man painted so beautifully by Guido Reni c.1639, in the Fitzwilliam, below 2546.

Easter opening times. Open Saturday 20 April: 10.00 – 17.00 • Sunday 21 & Monday 22 April 12.00 – 17.00 Closed Good Friday 19 April.

Folio 20 r. Massacre of the Innocents. One of Hand C’s typically busy compositions, this image reveals his skill for dramatic story-telling.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

1630-93), Rome; presumably in the possession of the Chigi family until an unknown date before 1824; John, 2nd Lord Northwick (1770-1859); Northwick sale, Christie's, 20 May 1838 (114),

VERVE is at The Fitzwilliam Museum on Saturday 24 January 2009 from 18.00 to 20.30.

75, lot 81; Lord Hastings; Christie, Manson & Woods, 20 March 1888, Catalogue of majolica, Palissy ware, German stoneware, Limoges enamels, the property of The Right Hon.

A reinvigorated hang of 20th and 21st century art. Article. Please note that this news article is over 4 months old. Check with the museum before visiting if this refers to objects on display. A new display of art from the 20th and 21st centuries

Themes and periods. Data from our collections database. William Wildman, for whom painted; his posthumous sale, Christie's, 19-20 January 1787, second day's sale, lot 71 ('The famous horse

New Fitzwilliam Museum augmented reality app. Article. Please note that this news article is over 4 months old. Check with the museum before visiting if this refers to objects on display. The Fitzwilliam Museum is one of twelve of England’s

20 August 2020. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

Manuscripts in the making. Painting the flesh. Artists' Techniques. The materials and techniques used by each of the artists to paint flesh tones are amongst their most characteristic traits. Hands A, B, C and D all painted a blue base layer for

Manuscripts in the making. Yolande of Anjou. Owners. Yolande of Anjou (1412-1440), second daughter of Yolande of Aragon and Louis II of Anjou, married the future Duke of Brittany, Francis I (1414-1450), in 1431. She was probably the woman originally

Come along and tell your friends. 20 July 2016. Sign up to our emails.

Almost 350 small antiquities were presented to the museum including the limestone relief from Pepy II's temple at Saqqara (E.182.1939) on display in case 3, gallery 20.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.

The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.