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The Breslau Psalter | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-breslau-psalter/theme/full-page-prefatory-miniaturesManuscripts in the making. Full-page prefatory miniatures. Texts and Images. The prefatory cycle contains eight full-page miniatures depicting events in Christ’s early life, starting with the Annunciation. Found in deluxe Psalters, such cycles -
The Macclesfield Psalter | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-macclesfield-psalter/technique/painting-the-flesh-106Manuscripts in the making. Painting the flesh. Artists' Techniques. Flesh tones contain mostly lead white, with occasional additions of small amounts of earth pigments and red lead. Some figures, like the wild man (fol. 58r) and St John the Baptist -
Folio 4v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-4vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
The Fitzwilliam Museum - George Davis Hornblower
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/patrons-donors-collectors/george-davis-hornblowerAlmost 350 small antiquities were presented to the museum including the limestone relief from Pepy II's temple at Saqqara (E.182.1939) on display in case 3, gallery 20. -
Folio 79v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-79vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 34v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-34vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 82v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-82vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 66r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-66rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 47v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-47vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 63r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-63rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
The Fitzwilliam Museum - Gold pineapple welcomes visitors to Feast…
https://www.fitzmuseum.cam.ac.uk/news/gold-pineapple-welcomes-visitors-to-feast-&-fast-exhibitionUniversity of Cambridge A feast for the senses. CRASSH Pineapple Conference 20 - 21 February 2020. -
Folio 70v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-70vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 26r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-26rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 79r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-79rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 81v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-81vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/material/later-modificationsManuscripts in the making. Later modifications. Artists' Materials. When the manuscript was modified for Isabella Stuart, her arms were added to the border of several folios using gold and silver leaf as well as vermilion and carbon black. Her -
Leaves from Jacques Le Lieur, Poème sur la Passion | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/leaves-from-jacques-le-lieur-poeme-sur-la-passionThe detached miniatures were among those sold at Phillips, London, 20 October 1983 (lot 467) and purchased by Maggs who, in turn, offered 4 of them for sale in 1984 and -
Folio 90v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-90vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 48r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-48rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 135v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-135vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 117r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-117rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 89r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-89rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 127v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-127vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 115r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-115rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 132v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-132vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 113v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-113vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 131r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-131rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 106r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-106rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 123r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-123rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 129r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-129rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/material/blue-pigments-191Manuscripts in the making. Blue pigments. Artists' Materials. Precious ultramarine blue was used by all the main artists in this manuscript, both in the figurative scenes and in the decorated initials. The blue ink used for rubrics and captions is -
Folio 31v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-31vThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/make/collation-46Manuscripts in the making. Collation. Description and Contents. The manuscript has 20 quires, most consisting of four bifolios (quaternions). -
Folio 103r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-103rThe final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
The Fitzwilliam Museum - Frederick William Green
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/patrons-donors-collectors/frederick-william-greenMany of the objects found in the Main Deposit are on display in case 1, gallery 20. -
The Fitzwilliam Museum - (Sir) Robert Hyde Greg
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/patrons-donors-collectors/sir-robert-hyde-gregOne of the most recent of these was the sandstone temple relief of Domitian (E.1.2003) on display in case 10 in gallery 20. -
The Fitzwilliam Museum - A simple shape repeated – Halima Cassell
https://www.fitzmuseum.cam.ac.uk/conversations/podcasts/in-my-minds-eye/a-simple-shape-repeated-halima-cassellI made this recording on Tuesday, the 14th of July 2020 at 4:20 p.m. ... 00:03:19 - 00:03:20. Carmen Pryce How did this work come about? -
Donato Acciaiuoli, Charlemagne’s Life | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/donato-acciaiuoli-charlemagnes-life/make/physical-description-36Manuscripts in the making. Physical Description. Description and Contents. Parchment, ii paper flyleaves (first pasted to silk) ii contemporary parchment flyleaves 32 fols. ii paper flyleaves (second pasted to silk), 245 x 165 mm (155 x 80 mm), 26 -
The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/artist/the-rohan-master-74Manuscripts in the making. The Rohan Master. Artists. The Rohan Master, who was probably trained by the Giac Master, may have worked as both a panel painter and an illuminator. He is named after a Book of Hours that belonged to the Rohan family of -
Folio 20r | The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/folio/folio-20r-211Folio 20 r. The Virgin and Child with a patron (prayer Obsecro te). -
Folio 159r | The Peterborough Psalter | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-peterborough-psalter/theme/psalter/folio/folio-159rManuscripts in the making. Psalter. Texts and Images. The Psalter has 10 sections, following one of the common medieval systems of dividing the 150 Psalms into groups for daily recitation. Psalm 1 opens with a full-page historiated initial (fol. 12v) -
Folio 20r | The Breslau Psalter | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-breslau-psalter/artist/hand-c-40/folio/folio-20rFolio 20 r. Massacre of the Innocents. One of Hand C’s typically busy compositions, this image reveals his skill for dramatic story-telling. -
Folio 20v | Donato Acciaiuoli, Charlemagne’s Life | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/donato-acciaiuoli-charlemagnes-life/folio/folio-20v-458Folio 20 v. The legend about Charlemagne and Florence. This page contains the legend of Charlemagne as Florence’s second founder and restorer after the city’s destruction by the Goths. -
Folio 20v | The Macclesfield Psalter | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-macclesfield-psalter/theme/psalter-99/folio/folio-20vFolio 20 v. Ornamental initial U with the head of a king (Psalm 12). -
The Fitzwilliam Museum - Where paintings have been – Matt Smith
https://www.fitzmuseum.cam.ac.uk/conversations/podcasts/in-my-minds-eye/where-paintings-have-been-matt-smithIt was a completely new name to me. 00:15:17 - 00:15:20. ... 00:20:47 - 00:20:50. Carmen Pryce Matt Smith, thank you for talking to me today. -
Folio 20r | The Breslau Psalter | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-breslau-psalter/material/yellow-pigments/folio/folio-20rFolio 20 r. Massacre of the Innocents. One of Hand C’s typically busy compositions, this image reveals his skill for dramatic story-telling. -
Folio 8v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-8v-469The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 2v | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-2v-467The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 8r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-8r-468The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work. -
Folio 7r | The Pontifical of Renaud de Bar | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-pontifical-of-renaud-de-bar/folio/folio-7r-283The final section of this manuscript (quires 15-20) was left at various stages of completion, revealing the artist’s methods of work.
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