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1 - 6 of 6 search results for `contradictions of art market economics` |u:www.english.cam.ac.uk

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  2. Ben Lerner’s 10:04 – American Literature

    https://www.english.cam.ac.uk/research/american/?p=286
    meditation on the contradictions of art-market economics. ... The piece meanders through a history of art vandalism, before dwelling on the “Salvage Art Institute”, a project in which curator Elka Krajewska exhibited damaged (or ‘total loss’)

  3. Michael Kalisch – American Literature

    https://www.english.cam.ac.uk/research/american/?author=102
    meditation on the contradictions of art-market economics. ... The piece meanders through a history of art vandalism, before dwelling on the “Salvage Art Institute”, a project in which curator Elka Krajewska exhibited damaged (or ‘total loss’)

  4. November 2015 – American Literature

    https://www.english.cam.ac.uk/research/american/?m=201511
    meditation on the contradictions of art-market economics. ... The piece meanders through a history of art vandalism, before dwelling on the “Salvage Art Institute”, a project in which curator Elka Krajewska exhibited damaged (or ‘total loss’)

  5. Page 3 – American Literature

    https://www.english.cam.ac.uk/research/american/?paged=3
    meditation on the contradictions of art-market economics. ... The piece meanders through a history of art vandalism, before dwelling on the “Salvage Art Institute”, a project in which curator Elka Krajewska exhibited damaged (or ‘total loss’)

  6. Americana – American Literature

    https://www.english.cam.ac.uk/research/american/?cat=7
    meditation on the contradictions of art-market economics. ... The piece meanders through a history of art vandalism, before dwelling on the “Salvage Art Institute”, a project in which curator Elka Krajewska exhibited damaged (or ‘total loss’)

  7. News – Page 3 – American Literature

    https://www.english.cam.ac.uk/research/american/?page_id=16&paged=3
    meditation on the contradictions of art-market economics. ... The piece meanders through a history of art vandalism, before dwelling on the “Salvage Art Institute”, a project in which curator Elka Krajewska exhibited damaged (or ‘total loss’)

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