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That we know so much about corvids – birds such as crows, magpies, rooks and ravens – is largely down to Nicola Clayton, Professor of Comparative Cognition in the Department of Psychology, who

www.cambridgeincolour.com. Postdocs of Cambridge ‘CROSSING THE BARRIERS’ LECTURE SERIES. Nicky Clayton is Professor of Comparative Cognition and Clive Wilkins is Artist-in-Residence in the Department of Psychology at

Comparative perspectives on social inequalities in life and death: an interdisciplinary conference – Mike Kelly, Senior Visiting Fellow, Department of Public Health and Primary Care, University of Cambridge; Tim Clutton-Brock, Director ... With Robert

June 1, 2018 @ 10:00 am - 4:30 pm. With Robert Seyfarth, Professor of Psychology, University of Pennsylvania, USA;. ... Stephen Suomi, Recent Chief of the Laboratory of Comparative Ethology in NICHD, Bethesda, USA; and.

value="824" Colour/optionoption value="825" Colour Constancy/optionoption value="826" Coma/optionoption value="827" Combinatorial Optimisation/optionoption value="828" Communication/optionoption value="829" Comparative Anatomy/optionoption value="830

While previous study of psychology is not essential, successful applicants will demonstrate a clear interest in the science of brain, mind, and behaviour. ... At Clare we have a range of Fellows based at the Psychology Department with expertise ranging

He received his undergraduate degree in Psychology from University of Ghana -Legon, and MPhil and PhD degrees from the Institute of Criminology, Cambridge University. ... He has extensive teaching experience and research expertise in juvenile crime and

1974 Ph.D. Psychology. Kings College, University of London. 1976 M.A. Philosophy. ... Journal of. Comparative and Physiological Psychology, 89(10), 1220-1226. Rust, J. (1974) Interactions of reliabilities in personality measurement.

Jeremy Butterfield AD HOC organised by Hasok Chang, Charissa Varma and Sophie Osiecki Philosophy of Psychology Reading Group organised by Riana Betzler.

perimental and comparative methods to explore the likeli-hood of an artifact’s interpreted status as a sound tool, inaddition to theorizing methods for sound tool production(e.g., Caldwell 2013;