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A bust of Napoleon. The army with which Napoleon invaded Russia on 24 June 1812 is thought to have been the largest ever assembled for a single campaign up to that

24: The Ponte Nomentano, the Sabine Hills in the Distance.

Manuscripts in the making. Modelling of draperies. Artists' Techniques. Draperies of different colours were modelled in different ways. Dark blue, orange and dark pink fabrics were painted in uniform hues, with folds defined by black lines, and

8 Aug 2021: Checklist of Coin Hoards from the British Isles, c.450-1180. Hoards containing shillings and early pennies. Patching, West Sussex, 1997. E. XX. R, Vg. -. c.470. Oxborough, Norfolk, 2001. E. R, Vg. -. c.475. Kingston-on-Thames, Surrey, 1848. E. X. C.

Breslau, now Wroclaw 1799 - 1853 Berlin. 2019-S.24: Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris.

Sundays and Bank Holidays: 12:00 - 17:00. The last ticketed timeslot will be 16:15.The exhibition is closed 24 - 26 December 2023 and 1 January 2024.

00:05:24 - 00:05:27. Jackie Kay Well, I see, I see the shop, the amazing shop. ... I might have missed you all together. 00:12:14 - 00:12:24. Jackie Kay Born Fanny Matilda, in St.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

Folio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline).

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

Look out for the 28th edition of 'The Book of Nonsense' – nonsense rhymes for children printed 24 times in Lear’s lifetime, proof of its popularity.

In all, 528 figured illustrations are distributed over its 234 pages, 24 of them full-page miniatures that mark the main divisions within the book.

Look out for the 28th edition of The Book of Nonsense – nonsense rhymes for children printed 24 times in Lear’s lifetime, proof of its popularity.

Manuscripts in the making. Differences in palette. Artists' Materials. Some of the differences in palette identified within the manuscript allow us to specify the palette used by each of the four main artists. In most cases, the technical analysis

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Cook (London: British Museum Press. 2011): 18-24. ‘The 'English Custom': folding coins in medieval England’.

ran from 20 October 2009 to 24 January 2010.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Parts of gallery 7 will also be closed from 1pm. Gallery 24: Rome & Ancient Sudan. ... Ground floor. Selected objects in gallery Gallery 24: Rome & Ancient Sudan.

00:11:20 - 00:11:24. Carmen Pryce Can you describe what you're doing, what your memories are doing, how they're helping you. ... 00:12:24 - 00:12:25. Carmen Pryce What's that like? 00:12:25 - 00:13:08.

Details. This vacancy is now closed. Salary range: £35,308-£43,155 Closing date: 24 July 2023.

Manuscripts in the making. Green pigments and mixtures. Artists' Materials. Green hues were obtained in a variety of ways: copper sulphates, copper carbonates as well as mixtures of azurite with lead-tin yellow and an organic yellow were identified.

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

00:02:24 - 00:02:37. Halima Cassell it be food, books, reference books or through the Internet and most museums have digital media within the museum, which you can access ... 00:13:24 - 00:13:28. spk_0 Well, I've done few sketches already, but I've not

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

00:14:24 - 00:14:27. Ali Smith The saints and martyrs of this dream museum. ... Luke Syson social function,. 00:19:23 - 00:19:24. Luke Syson but that is.

8 Aug 2021: D. -; Inv. -; Pagan 1965, 24. One further coin from this hoard is in the Hugh Goodacre collection on loan to the Ashmolean Museum. ... D. 133; Inv. 196; Dolley and Morrison (350) 1963, no. 24; SCBI BM H/N, 58; SCBI Edinburgh, xix; Dumas 1979, no.

Folio 37 r. Border motif of hybrid (Psalm 24). A hybrid is poised at the top of the bar border painted by the Macclesfield Master’s assistant.

24 February 2016. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

The Fitzwilliam is opening its doors exclusively to young adults for an evening of entertainment later this month on Saturday 24 January. ... VERVE is at The Fitzwilliam Museum on Saturday 24 January 2009 from 18.00 to 20.30.

The studio depicted here was on the top floor of 24 Rue Fagard in Bohain, the small, northern town in which Matisse had grown up and to which in 1903 he

Manuscripts in the making. Psalter with miniatures and historiated initials. Texts and Images. Psalms 1, 26, 38, 51, 52, 68, 80, 97, 101 and 109 introduced the ten sections into which medieval Psalters were often divided. Each of these ten Psalms is

Manuscripts in the making. The Breslau Psalter. Silesia, Breslau. c. 1255-1267. MS 36-1950. This is one of the most imposing and sumptuous Psalters to survive from the Middle Ages. Much larger than Psalters made for private prayer, with images on

throne of Spain; anonymous sale, ('Property of a distinguished Foreign Nobleman', sent for sale by Joseph Bates), Christie's, 24 May 1845 (71) bt.

Arthur Banks Skinner); 1905 by inheritance, Humphrey Wyndham Cook, London; His sale, Christie's, London, 8 July 1925, lot 242, bt Henry Harris, London; His sale, Sotheby's, London, 24 October

Manuscripts in the making. Hours of the Cross. Texts and Images. The Hours of the Cross marked the specific times of the day associated with the stages in Christ’s Passion. This manuscript contains the short version, with seven rather than all

Manuscripts in the making. The Pabenham-Clifford Hours. England,. c. 1315-1320. MS 242. Books of Hours, often personalised for individual use, were essential to the devotional practices of both the clergy and lay people who counted them among their

This event last Saturday (24 July) saw the Museum's grounds filled with marquees offering family activities, performances of traditional Chinese song and costumed dance, and even a range of authentic

Texts and Images. The third book, with 24 chapters, is devoted to the human soul and its relation to the body.

The upper inscription around the neck is a famous passage from the Qur'an known as the 'Verse of Light' (24:35), declaring God to be the light of the earth,

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

Competition closes midnight 24 August. Open to all ages, one entry per person.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Manuscripts in the making. Blue pigments. Artists' Materials. Azurite was used in the majority of blue areas on every folio analysed, although the presence or absence of trace amounts of barium, zinc and arsenic suggest the use of different sources

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Manuscripts in the making. Tooling and decoration of the gold leaf. Artists' Techniques. The burnished gold leaf, applied over a chalk ground, was incised with lines and dots. Additionally, on fol. 2v, spirals were painted over the gold with an