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00:05:24 - 00:05:27. Jackie Kay Well, I see, I see the shop, the amazing shop. ... I might have missed you all together. 00:12:14 - 00:12:24. Jackie Kay Born Fanny Matilda, in St.

Layers. Folio 24 r. Virgin and Child (prayer O intemerata). This composition, with a figure seated on a bench and books displayed on the desk, replicates the design of the image

24 January 2011. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

Manuscripts in the making. Tooling and decoration of the gold leaf. Artists' Techniques. The burnished gold leaf, applied over a chalk ground, was incised with lines and dots. Additionally, on fol. 2v, spirals were painted over the gold with an

Presented by Siegfried Sassoon in 1955. Collections database information. On loan to the Fitzwilliam Museum from the donor, 1918-24.

Our galleries. Our galleries. Open. Open. Open. Open. Open. Open. Open. Open. By appointment only Open. Temporary Exhibition Space. Temporary Exhibition Space. Temporary Exhibition Space. Temporary Exhibition Space. Open. Open. Closed (temporarily)

We will be open on Tuesday 22 December before our Christmas break (closed 24 December – 1 January inclusive).

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

https://fitzmuseum.cam.ac.uk/images/logos/FitzLogo.svg. 2024-05-02T16:54:2201:00. The Fitzwilliam Museum. press@fitzmuseum.cam.ac.uk. Chancellor, Masters, and Scholars of the University of Cambridge: CC-BY. Fitzwilliam Museum Digital Magic by DEJP3.

8 Aug 2021: Checklist of Coin Hoards from the British Isles, c.450-1180. Hoards containing shillings and early pennies. Patching, West Sussex, 1997. E. XX. R, Vg. -. c.470. Oxborough, Norfolk, 2001. E. R, Vg. -. c.475. Kingston-on-Thames, Surrey, 1848. E. X. C.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Breslau, now Wroclaw 1799 - 1853 Berlin. 2019-S.24: Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris.

8 Aug 2021: Naval General Service Medal, with bars for Boat Service 4 June 1805, Off Rota 4 April 1808 & Grasshopper 24 April 1808, awarded to Purser Thomas Bastin, 1848.

Manuscripts in the making. Hours of the Cross. Texts and Images. The Hours of the Cross marked the specific times of the day associated with the stages in Christ’s Passion. This manuscript contains the short version, with seven rather than all

Museum Christmas holiday opening times: CLOSED: 24, 25, 26 December OPEN: 12.00-17.00: 27, 28 December OPEN: 10.00-17.00: 29, 30 December CLOSED: 31 December, 01 January.

8 Aug 2021: Naval General Service Medal, by William Wyon, 1848; bar for Gaieta 24 July 1815.

Museum over the ten years 1999–2009, which ran from 20 October 2009 to 24 January 2010.

The mummified late-Roman cat in case 18, gallery 19, and the painted Predynastic pot in case 24, gallery 19, are examples of some of the objects he presented to the

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Sustainability. Episode. Episode 6 of What Are Museums For?: released on 24 March 2022.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

The Greek and Roman collections are displayed in Galleries 21 and 24.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Manuscripts in the making. The Pabenham-Clifford Hours. England,. c. 1315-1320. MS 242. Books of Hours, often personalised for individual use, were essential to the devotional practices of both the clergy and lay people who counted them among their

8 Aug 2021: In this battle it fell to the British Expeditionary Force to hold a position at Mons for 24 hours to cover the withdrawal of the French Fifth Army, beaten in the

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

A celebrated print by the fifteenth-century German artist Martin Schongauer, below [1879.5.24-73], shows his temptation by demons more as a full-on physical assault than an attempt

Nubia and Sudan. Collection. Geographically, Nubia is defined as the land between Dongola in northern Sudan and Aswan in southern Egypt. The region is home to people who are linked through dialects that belong to a distinct language but who are

Manuscripts in the making. Differences in palette. Artists' Materials. Some of the differences in palette identified within the manuscript allow us to specify the palette used by each of the four main artists. In most cases, the technical analysis

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

The Convalescent. Detail. The Convalescent, c.1923-4. In fifty years' time I shall be known as the brother of Gwen John. Augustus John. While Augustus John’s flattering prediction about his older sister has not entirely come to pass – he is

Though the couple depicted are not identified by any inscription, it is likely that they represent King Charles II of England and his 24-year-old bride, Catherine of Braganza, daughter

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

A bust of Napoleon. The army with which Napoleon invaded Russia on 24 June 1812 is thought to have been the largest ever assembled for a single campaign up to that

Folio 37 r. Border motif of hybrid (Psalm 24). A hybrid is poised at the top of the bar border painted by the Macclesfield Master’s assistant.

8 Aug 2021: This medal was awarded to Able Bodied Seaman Simon Redgrave of the 24-gun frigate HMS Magicienne, which took no actual part in the battle.

Gallery 24: Rome & Ancient Sudan. Gallery. Open. This gallery is under the Founder's entrance and holds objects from Rome and Ancient Sudan. ... Ground floor. Selected objects in gallery Gallery 24: Rome & Ancient Sudan.

24 September 2010. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

14-18. Ritchie, H. (2021) ‘A new acquisition: Candy Lady by Shawanda Corbett’, published on the UCM blog, 24 March 2021 (available online).

The studio depicted here was on the top floor of 24 Rue Fagard in Bohain, the small, northern town in which Matisse had grown up and to which in 1903 he

Folio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline).

Manuscripts in the making. Blue pigments. Artists' Materials. Azurite was used in the majority of blue areas on every folio analysed, although the presence or absence of trace amounts of barium, zinc and arsenic suggest the use of different sources

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

Cook (London: British Museum Press. 2011): 18-24. ‘The 'English Custom': folding coins in medieval England’.

Manuscripts in the making. Green pigments and mixtures. Artists' Materials. Green hues were obtained in a variety of ways: copper sulphates, copper carbonates as well as mixtures of azurite with lead-tin yellow and an organic yellow were identified.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Virtue, Vice & the Senses: Prints 1540–1660. Details. This exhibition is now in our archive. This exhibition looks at the spread and development of prints representing abstract qualities such as the five senses, seven virtues and deadly sins.