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The Fitzwilliam Museum - View of Santa Trinità dei Monti in Rome
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels/view-of-santa-trinita-dei-monti-in-romeVersailles 1789 - 1837 Paris. 2016-S.24: Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris, gift of Jacques and Brigitte Gairard, Lyon. -
The Fitzwilliam Museum - View of Capri
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels/view-of-capri-kopischBreslau, now Wroclaw 1799 - 1853 Berlin. 2019-S.24: Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris. -
The Fitzwilliam Museum - The Ponte Nomentano, the Sabine Hills in the …
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels/the-ponte-nomentano-the-sabine-hills-in-the-distance24: The Ponte Nomentano, the Sabine Hills in the Distance. -
The Fitzwilliam Museum - Sartre Waterfall near Apchon (Cantal)
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels/sartre-waterfall-near-apchon-cantalBordeaux 1824 - 1884 Bellevue Seine-et-Oise. 2012-S.24(II): Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris. -
The Fitzwilliam Museum - A Beech Wood with Gypsies seated in the…
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels/a-beech-wood-with-gypsies-seated-in-the-distanceLondon 1775 - 1851 Chelsea. PD.24-1981: Fitzwilliam Museum. Rights held by: The Fitzwilliam Museum, Cambridge, purchased with the assistance of the Fairhaven Fund with contributions from the Victoria and Albert -
The Fitzwilliam Museum - The labels - True To Nature. Open-air…
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels24: The Ponte Nomentano, the Sabine Hills in the Distance. -
The Fitzwilliam Museum - Joseph Mallord William Turner
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/artists/joseph-mallord-william-turnerJoseph Mallord William Turner. Artist. Nationality: British. 1775 - 1851. Turner’s annual trips throughout Britain and multiple continental tours fed his vast output of landscape paintings. Painting from nature, however, was not a regular activity -
The Fitzwilliam Museum - Franz Ludwig Catel
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/artists/franz-ludwig-catel24: The Ponte Nomentano, the Sabine Hills in the Distance. -
The Fitzwilliam Museum - Carl Blechen
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/artists/carl-blechenCarl Blechen. Artist. Nationality: German. 1798 - 1840. At age 24, Blechen left his career in banking to attend the Academy of Arts, Berlin, where he studied under landscape artist Peter Ludwig -
The Fitzwilliam Museum - True to Nature: Open-air Painting in Europe…
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-18702016-S.24: Fondation Custodia. Storm at Handeck, Alexandre Calame. PD.38-2004: Fitzwilliam Museum.
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