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  2. Published by Icon Books. https://www.iconbooks.com/wp-content/blogs.dir/24/files/2023/12/getimage-1602.jpeg. Join us at Heffers to celebrate the launch of James Riley’s
  3. ‘We Have Laugh’d’ [SER 1] | What Literature Knows About Your Brain

    https://www.english.cam.ac.uk/research/cogblog/?p=2734
    February 9, 2019 at 3:24 pm..
  4. Posted on. 24 June 2021. 23 June 2021.
  5. ‘Past Mirth, Present Laughter? | English Faculty News

    https://www.english.cam.ac.uk/news/archives/7425
    24 April 2023.
  6. ‘Oh, to Be a Painter!’ Claudia Tobin selects and introduces…

    https://www.english.cam.ac.uk/news/archives/6371
    Posted on. 24 November 2021.
  7. ‘Forms of Late Modernist Lyric’, edited by Edward Allen, and…

    https://www.english.cam.ac.uk/news/archives/6375
    2021. Posted on. 24 November 2021.
  8. ~ . SPENSER NEWSLETTER Fall 1981 Volume 12 BOOKS: ...

    https://www.english.cam.ac.uk/spenseronline/static/pdfs/1981_Fall-Volume_12-Number_3.pdf
    10 Sep 2017: SPENSER NEWSLETTER. Fall 1981 Volume 12. BOOKS: REVIEWS AND NOTICES. ARTICLES: ABSTRACTS AND NOTICES. SPENSER IN GERMANY. DISSERTATION ABSTRACTS. SPENSER BIBLOGRAPHY: UPDATE. Co-editors: Foster Provost, Cherie Ann Haeger. Corresponding Editors:
  9. | Spenser Online

    https://www.english.cam.ac.uk/spenseronline/spenserstudies/abstracts/
    Joe Moshenska, “Whence had she all this wealth?”: Dryden’s Note on The Faerie Queene V.vii.24 and the Gifts of Literal Reading.
  10. Yvonne Salmon | English Faculty News

    https://www.english.cam.ac.uk/news/archives/tag/yvonne-salmon
    The Alchemical Landscape  Faculty of English, GR06/07 24 Oct 2015, 6:30pm – 7:30pm This event is featured as part […]. Search. Search for:.
  11. Yoshiyuki Nakao, The Structure of Chaucer’s Ambiguity

    https://www.english.cam.ac.uk/spenseronline/review/item/45.2.45/
    Nakao proposes what he terms the “double prism structure” to account for how “ambiguity is likely to arise” (24). ... Textual variants, intertextuality and polysemy all come into play in Nakao’s analysis of Book 3.918-24; this, the stanza that

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