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1r, 8v). Later owners include Anthony Watson, Bishop of Chichester (1596-1605), John Smeaton, and the Earls of Macclesfield of Shirburn Castle, Oxfordshire.

Caroline Watson was one of the most successful engravers of her age, with patrons including Queen Charlotte and the painter Sir Joshua Reynolds. ... Watson made her mark creating prints catering to feminine taste, capitalising on the growing market of

This exhibition explores the depiction of war in medallic art. Official gallantry and campaign medals from the Lester Watson collection are juxtaposed with commemorative medals and other material.

Last weeks to see Caroline Watson. Article. Please note that this news article is over 4 months old. ... It is the final weeks to see the beautiful prints and private letters of the first British woman professional engraver, Caroline Watson.

Watson (RCS, FRCOphth) on 17 November 2010. This exhibition, which features prints drawn from the Museum's own collections, also offers the chance to see five drawings by Leoni on public

Chinese Porcelain Bowl, 1736–95. Detail. Chinese porcelain bowl, 1736 – 1795. To the Chinese the peach was 'the fairy fruit', the substance that gave immortality to the gods. It was also a symbol of spring and an emblem of marriage. The ripening

loans from the Museum of Archaeology and Anthropology, including works by the Chapman Brothers, Goya, Jane Joseph, Manet, Picasso, and Judy Watson.

before coming to rest with Lester Watson in 1927.

1r, 8v). Later owners include Anthony Watson, Bishop of Chichester (1596-1605), John Smeaton, and the Earls of Macclesfield of Shirburn Castle, Oxfordshire.

1r, 8v). Later owners include Anthony Watson, Bishop of Chichester (1596-1605), John Smeaton, and the Earls of Macclesfield of Shirburn Castle, Oxfordshire.