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economy (with Florimell representing older agricultural interests and Marinell the new maritime economic expansion). ... Elizabeth manifested to ‘mix marriage negotiations, religious politics, and economic undertakings in ways that complicated all

also the study of patterns of practices, and thus frames her examination of St Paul’s Cathedral as a negotiation between different forces of human action. ... The unity of the urban and the rural is thus promoted as necessary for both civic and

The second explores the perils of collusion. The third follows the Old English into war, and the fourth counts the economic cost of the conflict. ... The final chapter and the epilogue chart the displacement of the Old English by the new men.

mind when considering Henry VII’s reign, such as the role of the government in social and economic regulation. ... The final chapters of the book move on to Henry VIII’s reign, and take a more narrative approach.

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

No Nation Voide of Myxture’: Representations of Generic and National Mixtures in the Irish Histories of Spenser, Campion, and Hanmer”. ... criticism. This presentation aims to bring them back under critical examination and, perhaps, show the

giving, owing, debt, and credit that govern broader social, familial, and economic structures of exchange. ... This skipping over is perhaps most severe an issue in the final chapter, which treats ‘Inheritance, Money, Modernity’.

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.