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Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

London represents the economic paradox that the idea of luxury encompasses: its growth in wealth, strength, abundance, and magnificence is the sign of national triumph, while all those qualities also threaten ... The final section then looks at political

The INT will inform successful candidates and departments in good time for finalisation of submissions before the Leverhulme national deadline of 4pm on the 22 February 2024. ... Final decisions from the Leverhulme Trust regarding successful applicants

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

The final section provides a case study of Wilton House, Wiltshire, viewed from several different perspectives, while the afterword offers reflective pieces by a National Trust collections and exhibitions curator, a ... intellectual center against the

This pilot study showcases the research potential of these exciting collections, which form an important part of our national cultural heritage. . ... Third, the need to situate this poetry in its textual and social environments, so as to enable more

Gerald de Malynes, Thomas Milles, Edward Misselden, and Thomas Mun—worked to produce the autonomous discourse of economics as a site proper to financial transactions. ... Attendant to the physical properties of sixteenth-century coins, Landreth

The last two chapters—roughly the final third of the book—focus on Spenser. ... Book 6 of The Faerie Queene, one that is linked to the economics of slavery.

Francesco Cieco wrote the poem during the tumultuous final years of the fifteenth century. ... The final section of the dissertation explores the ways in which poets on both sides of the English Civil War manipulated Jonson’s poetic legacy.

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

This short paper will include an examination of a couple of the most extraordinary of their imaginings and of the dangers associated with privileging such readings of radical meteorological change. ... Mary Villeponteaux. Georgia Southern University.

The first session kicked off with a talk from Rupert Gatti, Fellow in Economics at Trinity and one of the founders of Open Book Publishers (www.openbookpublishers.com), explaining ‘Why the ... Our final ‘view’ of the day was ‘The View from

on a global scale, of various forms of difference (racial, religious, socio-economic, biological) as well as the need to defend, with renewed ferocity, the rights and freedoms of the marginalised – ... to the richness and complexity of the notion of

mind when considering Henry VII’s reign, such as the role of the government in social and economic regulation. ... The final chapters of the book move on to Henry VIII’s reign, and take a more narrative approach.

The second explores the perils of collusion. The third follows the Old English into war, and the fourth counts the economic cost of the conflict. ... The final chapter and the epilogue chart the displacement of the Old English by the new men.

economy (with Florimell representing older agricultural interests and Marinell the new maritime economic expansion). ... Elizabeth manifested to ‘mix marriage negotiations, religious politics, and economic undertakings in ways that complicated all

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

In an even more startling change, Fairfax diverges entirely from the Italian in the final couplet. ... The caesural profusion in the final couplet arrests the reader’s attention at this very moment, lingering and pulsing in desire, like the twitching

Half-Rhyme: Consonance on the final consonants of the words at line endings (so 'moon' could be a half-rhyme for 'stone'). ... Such emulation was encouraged by the university: on the final day of exams, the Questionists (Fourth years) were 'bracketed'

giving, owing, debt, and credit that govern broader social, familial, and economic structures of exchange. ... This skipping over is perhaps most severe an issue in the final chapter, which treats ‘Inheritance, Money, Modernity’.

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

A key feature of Brink’s examination of Spenser’s education and early life is her claim that he was all set for a church career and not a court career ... An unwillingness to home in on the economic reasons for Spenser going to Ireland mean that

Boudica confronted the Roman governor, Suetonius Paulinus, in a final battle: “Boudica herself, with her two daughters, drove from tribe to tribe in her chariot in order to address her warriors,” ... There follows a thorough discussion of Cymbeline,

However the novel is also notable for its examination of multicultural relations and the racism and alienation experienced by immigrants in 1980s Britain. ... As long as Samad views himself as a colonial subject he is able to keep his racial and national

No Nation Voide of Myxture’: Representations of Generic and National Mixtures in the Irish Histories of Spenser, Campion, and Hanmer”. ... criticism. This presentation aims to bring them back under critical examination and, perhaps, show the

Meanwhile, his literary career was initiated at age twenty, no doubt less by artistic inspiration than by the more common motive of economic necessity. ... By Steven W. May. University of Sheffield. [1] Michael Neill, “Ford, John,” Oxford Dictionary

Historiography panel: Space, Geography and Memory’. Early Modern Economic and Social History Seminar. ... The final seminar of the series will be given by Jane Munro, Keeper of Paintings, Drawings and Prints at the Fitzwilliam.

of world economics in the fourteenth century: how the Crusades, the slave trade, ship design, European politics, and the desirable products of the Middle East and beyond[,] all affected the trading ... the final say in matters of belief, and following

One of the major questions motivating this examination asks why does Spenser return to the pastoral once he has traversed into epic? ... His early work is resolutely non-national, and his Ireland is a space that is part of the world: deeply mixed and

kingdoms became national types, representing an identity to be performed, rather than genealogical forebears. ... in which the question of historicity becomes less important than Higgins’s construction of a national tradition.

The rest of the introductory chapter strengthens and advances Olson’s argument for the value of championing Early Modern authors’ materialist perspective through the examination of dramatic and prose works. ... the extent to which theatrical

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

Giovanni Botero and English political thought’. Early Modern Economic and Social History Seminar. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of

The magic word seems to be “contextualization.” The collection of articles edited by Stephen Hamrick presents Tottel’s Songes and Sonettes in its publication context, but also in its ideological, economic ... J. Christopher Warner investigates the

His first-hand observations of military activities are put into a local context such as the economic impact on the surrounding community or the excitement generated. ... When placing events in a larger, national or European framework, he often had to

and opportunities for research in early modern European literary culture in different languages and that crosses national boundaries. ... The final seminar of the series will be given by Jane Munro, Keeper of Paintings, Drawings and Prints at the

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

Sandwiched between a short introduction and an even more succinct conclusion, we find nine constituent chapters: the first three center on classical poetry, with the remainder dedicated to examinations of (mostly) ... The most consistent formatting

and opportunities for research in early modern European literary culture in different languages and that crosses national boundaries. ... The final seminar of the series will be given by Jane Munro, Keeper of Paintings, Drawings and Prints at the

The final section of Part II on Religious Poetry has essays by Femke Molekamp, Hannibal Hamlin and Helen Wilcox. ... His final section considers the physical location of poems in printed collections and individualised bindings of different texts.

exhibition at the National Museum of American Indian (NYC). Moderator: Marija Dalbello (Rutgers University). ... as well as in social, economic, regional, architectural and legal history, palaeography and manuscript studies.

The final three books published in the 1596 edition of The Faerie Queene have become associated with the anti-Irish sentiment expressed in Spenser’s View. ... This is well-worn ground in comparison with the terrain mapped out earlier in Lecky’s

on a global scale, of various forms of difference (racial, religious, socio-economic, biological) as well as the need to defend, with renewed ferocity, the rights and freedoms of the marginalised – ... to the richness and complexity of the notion of

Surprisingly, where many of these works touch on national and theological matters, the characters’ discourse becomes conspicuously logical, adopting an unnaturally objective tone full of formal syllogisms. ... My final chapter demonstrates how Queen

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

and opportunities for research in early modern European literary culture in different languages and that crosses national boundaries. ... The final seminar of the series will be given by Jane Munro, Keeper of Paintings, Drawings and Prints at the

We might also consider the economic dimensions to sermon-going, as audibility is a direct effect of one’s wealth: what does a sermon sound like to an auditor who can ... One final noteworthy contribution of the VPCP is its consolidation of historical

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

Likewise, today Britain looks to its former colonies for support as it faces economic meltdown in a post-Brexit environment.[43]. ... 23] Catherine Bates, “The Faerie Queene: Britain’s National Monument,” The Cambridge Companion to the Epic, edited