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Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

London represents the economic paradox that the idea of luxury encompasses: its growth in wealth, strength, abundance, and magnificence is the sign of national triumph, while all those qualities also threaten ... The final section then looks at political

The INT will inform successful candidates and departments in good time for finalisation of submissions before the Leverhulme national deadline of 4pm on the 22 February 2024. ... Final decisions from the Leverhulme Trust regarding successful applicants

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

The final section provides a case study of Wilton House, Wiltshire, viewed from several different perspectives, while the afterword offers reflective pieces by a National Trust collections and exhibitions curator, a ... intellectual center against the

This pilot study showcases the research potential of these exciting collections, which form an important part of our national cultural heritage. . ... Third, the need to situate this poetry in its textual and social environments, so as to enable more

Gerald de Malynes, Thomas Milles, Edward Misselden, and Thomas Mun—worked to produce the autonomous discourse of economics as a site proper to financial transactions. ... Attendant to the physical properties of sixteenth-century coins, Landreth

The last two chapters—roughly the final third of the book—focus on Spenser. ... Book 6 of The Faerie Queene, one that is linked to the economics of slavery.

Francesco Cieco wrote the poem during the tumultuous final years of the fifteenth century. ... The final section of the dissertation explores the ways in which poets on both sides of the English Civil War manipulated Jonson’s poetic legacy.

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

This short paper will include an examination of a couple of the most extraordinary of their imaginings and of the dangers associated with privileging such readings of radical meteorological change. ... Mary Villeponteaux. Georgia Southern University.

The first session kicked off with a talk from Rupert Gatti, Fellow in Economics at Trinity and one of the founders of Open Book Publishers (www.openbookpublishers.com), explaining ‘Why the ... Our final ‘view’ of the day was ‘The View from

on a global scale, of various forms of difference (racial, religious, socio-economic, biological) as well as the need to defend, with renewed ferocity, the rights and freedoms of the marginalised – ... to the richness and complexity of the notion of

mind when considering Henry VII’s reign, such as the role of the government in social and economic regulation. ... The final chapters of the book move on to Henry VIII’s reign, and take a more narrative approach.

The second explores the perils of collusion. The third follows the Old English into war, and the fourth counts the economic cost of the conflict. ... The final chapter and the epilogue chart the displacement of the Old English by the new men.

economy (with Florimell representing older agricultural interests and Marinell the new maritime economic expansion). ... Elizabeth manifested to ‘mix marriage negotiations, religious politics, and economic undertakings in ways that complicated all

Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

In an even more startling change, Fairfax diverges entirely from the Italian in the final couplet. ... The caesural profusion in the final couplet arrests the reader’s attention at this very moment, lingering and pulsing in desire, like the twitching

Half-Rhyme: Consonance on the final consonants of the words at line endings (so 'moon' could be a half-rhyme for 'stone'). ... Such emulation was encouraged by the university: on the final day of exams, the Questionists (Fourth years) were 'bracketed'

giving, owing, debt, and credit that govern broader social, familial, and economic structures of exchange. ... This skipping over is perhaps most severe an issue in the final chapter, which treats ‘Inheritance, Money, Modernity’.