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'[T]here presented him selfe a [...] clownishe younge man':…
https://www.english.cam.ac.uk/spenseronline/review/item/50.2.4/A key feature of Brink’s examination of Spenser’s education and early life is her claim that he was all set for a church career and not a court career ... An unwillingness to home in on the economic reasons for Spenser going to Ireland mean that -
Cambridge Authors » Zadie Smith
https://www.english.cam.ac.uk/cambridgeauthors/category/zadie-smith/However the novel is also notable for its examination of multicultural relations and the racism and alienation experienced by immigrants in 1980s Britain. ... As long as Samad views himself as a colonial subject he is able to keep his racial and national -
Alex Davis, Imagining Inheritance from Chaucer to Shakespeare
https://www.english.cam.ac.uk/spenseronline/review/item/52.1.9/giving, owing, debt, and credit that govern broader social, familial, and economic structures of exchange. ... This skipping over is perhaps most severe an issue in the final chapter, which treats ‘Inheritance, Money, Modernity’. -
Sixteenth Century Society Conference
https://www.english.cam.ac.uk/spenseronline/review/volume-43/433/abstracts/sixteenth-century-society-conference/No Nation Voide of Myxture’: Representations of Generic and National Mixtures in the Irish Histories of Spenser, Campion, and Hanmer”. ... criticism. This presentation aims to bring them back under critical examination and, perhaps, show the -
CRASSH | Renaissance Research Group
https://www.english.cam.ac.uk/research/renaissance/?tag=crasshEconomic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution -
Americana – American Literature
https://www.english.cam.ac.uk/research/american/?cat=7Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation. -
Gilles Monsarrat, Brian Vickers, and R. J. C Watt, eds., The…
https://www.english.cam.ac.uk/spenseronline/review/volume-43/issue-432/reviews/the-collected-works-of-john-ford-ed-gilles-monsarrat-brian-vickers-and-r-j-c-watt/Meanwhile, his literary career was initiated at age twenty, no doubt less by artistic inspiration than by the more common motive of economic necessity. ... By Steven W. May. University of Sheffield. [1] Michael Neill, “Ford, John,” Oxford Dictionary -
Early Modern British and Irish History Seminar | Renaissance Research …
https://www.english.cam.ac.uk/research/renaissance/?tag=early-modern-british-and-irish-history-seminar&paged=2Historiography panel: Space, Geography and Memory’. Early Modern Economic and Social History Seminar. ... The final seminar of the series will be given by Jane Munro, Keeper of Paintings, Drawings and Prints at the Fitzwilliam. -
Marion Turner, Chaucer: A European Life
https://www.english.cam.ac.uk/spenseronline/review/volume-50/501/reviews/marion-turner-chaucer-a-european-life/of world economics in the fourteenth century: how the Crusades, the slave trade, ship design, European politics, and the desirable products of the Middle East and beyond[,] all affected the trading ... the final say in matters of belief, and following -
Spenser in Dublin Abstracts
https://www.english.cam.ac.uk/spenseronline/review/45/452/abstracts/spenser-in-dublin-abstracts/One of the major questions motivating this examination asks why does Spenser return to the pastoral once he has traversed into epic? ... His early work is resolutely non-national, and his Ireland is a space that is part of the world: deeply mixed and
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