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Economic and Social History. Thursday, 27 October, 5 PM, Lecture Theatre, Trinity Hall. ... The project will focus on the technical examination of paintings in the National Galleries of Scotland collection with the aim of clarifying issues of attribution

London represents the economic paradox that the idea of luxury encompasses: its growth in wealth, strength, abundance, and magnificence is the sign of national triumph, while all those qualities also threaten ... The final section then looks at political

The INT will inform successful candidates and departments in good time for finalisation of submissions before the Leverhulme national deadline of 4pm on the 22 February 2024. ... Final decisions from the Leverhulme Trust regarding successful applicants

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

The final section provides a case study of Wilton House, Wiltshire, viewed from several different perspectives, while the afterword offers reflective pieces by a National Trust collections and exhibitions curator, a ... intellectual center against the

This pilot study showcases the research potential of these exciting collections, which form an important part of our national cultural heritage. . ... Third, the need to situate this poetry in its textual and social environments, so as to enable more

Gerald de Malynes, Thomas Milles, Edward Misselden, and Thomas Mun—worked to produce the autonomous discourse of economics as a site proper to financial transactions. ... Attendant to the physical properties of sixteenth-century coins, Landreth

The last two chapters—roughly the final third of the book—focus on Spenser. ... Book 6 of The Faerie Queene, one that is linked to the economics of slavery.

Francesco Cieco wrote the poem during the tumultuous final years of the fifteenth century. ... The final section of the dissertation explores the ways in which poets on both sides of the English Civil War manipulated Jonson’s poetic legacy.

Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.