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Rückenfigur is part of an (ongoing?) series of neons that riff on national symbolism. ... Instead, I am reminded of the final painting in Cole’s series – Desolation.

This short paper will include an examination of a couple of the most extraordinary of their imaginings and of the dangers associated with privileging such readings of radical meteorological change. ... Mary Villeponteaux. Georgia Southern University.

The list of Malbecco’s pursuers – ‘[g]riefe, and despight, and gealosy, and scorne’ (III.x.55) – are all included, and this instance of ‘gealosy’ is the same as his final ... Malbecco’s final transformation is occasioned by ‘griefe’

May 22nd, 2011The National Horseracing Museum in Newmarket, Suffolk unexpectedly revealed some interesting material texts when I visited recently. ... censorship and book destructionMarch 7th, 2011“With your current economic crisis the simplest way

The final genre studied is sixteenth-century poetry and begins with an analysis of Edmund Spenser’s Amoretti (1594). ... The final section of the chapter studies the influence of the French Revolution on writers’ understanding of class inequality.

The first session kicked off with a talk from Rupert Gatti, Fellow in Economics at Trinity and one of the founders of Open Book Publishers (www.openbookpublishers.com), explaining ‘Why the ... Our final ‘view’ of the day was ‘The View from

on a global scale, of various forms of difference (racial, religious, socio-economic, biological) as well as the need to defend, with renewed ferocity, the rights and freedoms of the marginalised – ... to the richness and complexity of the notion of

This will allow speakers to emphasise how the economic, cultural, and physical attributes of certain materials contributed to understanding the value and connotations of objects in their original contexts. ... The final seminar of the series will be

In an even more startling change, Fairfax diverges entirely from the Italian in the final couplet. ... The caesural profusion in the final couplet arrests the reader’s attention at this very moment, lingering and pulsing in desire, like the twitching

24 Jan 2021: in the exhibition’s final chapter; not least in Glenn Ligon’s a href="http://whitney.org/Collection/GlennLigon/20113ai"emRückenfigur/em/a (2009). ... org/Collection/GlennLigon/20113ai"emRückenfigur/em/a is part of an (ongoing?) series of neons that