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It’s striking how in this scene and in Midsummer Night’s Dream, it’s interactions with animals—or the problem of performing as animals—that most brilliantly occasion Shakespeare’s ... Animals are especially good to think with about theatre,

I returned to the University of Cambridge for my PhD, this time a member of King’s. ... From January-September 2023, I will be an AHRC Posdoctoral Research Fellow in the Faculty of English, University of Cambridge.

I’ve tried playing around with the letters – moving them up or down one in the alphabet – but haven’t landed upon anything yet. ... Website. CMT at Cambridge. Latest News and Events. CMT Blog.

April 27th, 2017A new exhibition opens at Cambridge University Library today. ... The variety of materials is extraordinary: good-luck charms, prenuptial agreements, alphabet primers, first-hand accounts of earthquakes, and numerous letters–from a

February 2nd, 2017CALL FOR PAPERS. Date: Saturday, 27th May 2017. Venue: Faculty of English, University of Cambridge. ... Literacy and the materiality of the alphabet. • The (dis)embodied nature of writing. •

Detail from an unattributed engraving, paper, 1581 Museum of London. Detail from St John's College, Cambridge, MS S.23, fol. ... 13r, c. 1640. By permission of the Master and Fellows of St John's College, Cambridge.

The alphabet is also used for other languages, such as Amharic. ... Mail (will not be published) (required). Website. CMT at Cambridge. Latest News and Events.

Oxford. Her poetry collections are: /No Traveller Returns/ (Salt, 2003),. /Person Animal Figure/ (Landfill Press, 2005), /The Undraining Sea/. ... the Faculty of English, University of Cambridge, since 1997. His. collections of poetry include /The Damage/

This creative workshop withdraws into the iridescent interiors of shells, looking closely at forms of repetition and repair to consider the human, animal and mineral entanglements of solitude, survival and rest. ... Her latest pamphlet is Subsong

Ottley’s precocious finding in the field. Anticipating many other nineteenth century filigranologists, Ottley collected four albums of watermarks with indexes in the 1830s, now Cambridge University Library, Add. ... Which makes it all the more weird