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Drawing on the resources of posthumanism and animal studies, this dissertation argues that the exceptional vulnerability of the human animal was central to a previously unexamined mode of early modern political ... Accessed July 23rd, 2024. Not logged in

Often those individuals index the most conventional slide of human sexuality down the great chain of being into a bestial, animal, or monstrous world. ... Accessed July 23rd, 2024. Not logged in Log in orThis site is a collaborative effort supported by

Professor of Comparative Cognition at Cambridge; she had cameo roles in two of the earlier time-travel posts. ... Some of the most ingenious experiments attempt to catch other animals in the act.

landmarks changed according to the vagaries of the weather, water channels, and the comings and goings of humans and animals. ... 9] Lawrence Manley, Literature and Culture in Early Modern London, Cambridge, 1995, p.

The Irish are represented as lawless, uncontrolled and vengeful, associated with the body and the animal world (as John Soderberg demonstrates in his useful essay); the English as organised and rational, ... Accessed July 23rd, 2024. Not logged in Log in

Paul Auster, Timbuktu (Faber, 1999). Cambridge University Library isn’t much of a place for browsing. ... Lots of cool titles. And Animal Theory was the one I left with.

Not long ago I realised I had missed this talk at Cambridge’s Centre for Research in the Arts, Social Sciences, and Humanities (CRASSH: quality acronym; Oxford’s TORCH is a ... These consciousness may be quite different from our own (psychotic humans,

about him or the world around, a refusal to distinguish between the narratives of people, animals, and trees. ... Adamson, Alexander, Ettenhuber (Cambridge, 2011), p. 172. E-mail me at rtrl100[at]cam.ac.uk.

Hughes Sykes Davies, Wordsworth and the Worth of Words (Cambridge: Cambridge University Press, 1996). ... Stephen Gill (Cambridge, 2003), or indeed in William Wordsworth: The Critical Heritage, ed.

Professor of Comparative Cognition at Cambridge; she had cameo roles in two of the earlier time-travel posts. ... Some of the most ingenious experiments attempt to catch other animals in the act.

Animals in Spenser’s work have received more attention, as well they should. ... Accessed July 23rd, 2024. Not logged in Log in orThis site is a collaborative effort supported by Cambridge University, Washington University in St.

14] See Deborah E. Harkness, John Dee’s Conversations with Angels: Cabala, Alchemy, and the End of Nature (Cambridge: Cambridge University Press, 1999), 133-214; and Glyn Parry, The Arch-Conjuror ... 21] Patrick Cheney, English Authorship and the Early

Paul Auster, Timbuktu (Faber, 1999). Cambridge University Library isn’t much of a place for browsing. ... Lots of cool titles. And Animal Theory was the one I left with.

Monday 5 June, 3-4.30. Board Room, Faculty of English. Sophie Seita (Queens’, Cambridge). ... Friday 12 May 2017, 2-4 pm Cambridge University Library (Milstein Seminar Room), 2-4pm.

Having completed a BA in English at Trinity, Cambridge, I went on to do graduate work at Lady Margaret Hall, Oxford where I took an MPhil in Romanticism and a DPhil. ... John Goodridge and Simon Kovesi, 2000. 2016 University of Cambridge.

those written in the Roman alphabet). Friday 11 May 2018  ‘The Early Manuscript Catalogues of Cambridge University Library’. ... Dublin). All meetings take place 2-4pm in the Milstein Seminar Room, Cambridge University Library.

May 10th, 2017Today, on a beautiful sunny day, a large group of diehards shut itself up in a couple of rooms in Cambridge’s Faculty of Education to discuss ‘The ... He also shows that Oxford and Cambridge librarians were privately sharing notes

His first extended period away came at the age of 17, when he went to study at Cambridge. ... Cambridge: 'Ye who are fed / By the dead letter, not the spirit of things' (VIII, 431-2).

Understanding book production in terms of the livestock economies that sustained them, the choice of animals (age, sex, breed), the idocincracies of each skin requiring specialist knowledge of treatment and production.

Queene to the various human, mineral, vegetable, animal, textual, liquid, fiery, and even planetary assemblages in Shakespeare’s The Winter’s Tale and The Tempest, Mary Wroth’s The Countess of ... Accessed July 23rd, 2024. Not logged in Log in