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key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

Antonio: do you want to go to Milan? Proteus: TOTALLY not my call! ... PROTEUS May’t please […]. ANTONIO  I like thy counsel. Well hast thou advised.

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this? ... SEBASTIAN  He’s gone. ANTONIO  Then tell me, Who’s the next heir of Naples?

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.

relational gestures / a post by Helen Magowan. November 24th, 20201 Sasareishi, volume 1 f.12v-13r. 1713, Hasegawa Myōtei. Ebibunko. The first image in this blog post shows a page from a book published in 1713. In three volumes, it’s a

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.

Enter SEBASTIAN, ANTONIO and GONZALO. Yet again? What do you here? Shall we give o’er and drown? ... BOATSWAIN  Work you, then. ANTONIO  Hang, cur! Hang you, whoreson, insolent noise-maker!

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Please you deliberate a day or two. ANTONIO  Look what thou want’st shall be sent after thee. ... You shall be employed To hasten on his expedition. [Exeunt Antonio and Pantino] (1.3.72-77) Proteus is holding […]. ANTONIO  My will is something

Marco Dorigatti traces Antonio Panizzi’s meteoric rise from political refugee to Principal Librarian of the British Museum (and an eventual knighthood).

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

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PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

Torino: Erasmo, 1960. Rumeu de Armas, Antonio. Hernando Colón, historiador del descubrimiento de América. ... Two vols. (vol. I catalogue, vol. II indexes). Segura Morera, Antonio & Pilar Vallejo Orellana.

8] Antonio de Torquemada, The Spanish Mandeuile of Miracles (1600), sig.33v: “there is indeede much talke of the Mermaydes, whom they say from the middle vpward to haue the shape ... San Antonio photo booth rental 8 months, 2 weeks ago.

San Antonio 5 months ago. I enjoy reading your post.

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this?

Torino: Erasmo, 1960. Rumeu de Armas, Antonio. Hernando Colón, historiador del descubrimiento de América. ... Two vols. (vol. I catalogue, vol. II indexes). Segura Morera, Antonio & Pilar Vallejo Orellana.

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

8] Antonio de Torquemada, The Spanish Mandeuile of Miracles (1600), sig.33v: “there is indeede much talke of the Mermaydes, whom they say from the middle vpward to haue the shape ... San Antonio photo booth rental 8 months, 2 weeks ago.

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... ANTONIO  Let’s all sink wi’th’King. SEBASTIAN  Let’s take leave of him.

On the one hand, the play features numerous acts of decision: Bassanio decides to woo Portia, Portia decides to marry according to the terms of the lottery, Antonio decides to agree ... On the other hand, the play casts these decisions under the umbra of

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

But it’s consistent with my reason for blogging about it. Mack uses the word ‘cognitive’ often, but although he cites Antonio Damasio on a number of occasions (mostly in relation

SEBASTIAN  What a strange drowsiness possesses them! ANTONIO  It is the quality o’th’ climate. ... Dropping upon thy head. SEBASTIAN  What, art thou waking? ANTONIO  Do you not hear me speak?

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

San Antonio 5 months ago. I enjoy reading your post.

ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.

All sleep except Alonso, Sebastian and Antonio.]. ALONSO  What, all so soon asleep? ... Ariel’s doing. Go to sleep then, retorts Antonio, we’ll still be laughing.

Richard Helgerson put his finger on the most telling phrase when he quoted the Spanish humanist Antonio de Nebrija’s declaration in 1492 that ‘language has always been the companion of

SEBASTIAN  Very well. ANTONIO  And most chirurgeonly! GONZALO  It is foul weather in us all, good sir,. ... When you are cloudy. SEBASTIAN  Foul weather? ANTONIO  Very foul. (2.1.137-143).

justice nor retains any interest in the political problems of Spenser’s Europe.”[26] Yet Spenser was a European, as much as his fellow colonial servant, Lodowick Bryskett, whose father, Antonio

Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND, GONZALO and others. ALONSO  Good boatswain, take care. ... the storm and the terrible danger of the ship with their voices and bodies?) Antonio is more abrupt, less courtly; there is an irony in that it is

brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

Alonso (now addressed directly) was so cruel to both Prospero and Miranda, in supporting and enabling Antonio’s usurpation. ... And Alonso’s brother, Sebastian, was a furtherer in the act; he too supported Antonio’s coup, and is suffering for it

But it’s consistent with my reason for blogging about it. Mack uses the word ‘cognitive’ often, but although he cites Antonio Damasio on a number of occasions (mostly in relation

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brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.