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With all the goings-on with Sebastian and Antonio, Gonzalo and Alonso, and not least Gonzalo’s reimagining of the island, it’s easy to forget its strangeness, and apparent hostility

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.

I am afraid. He will chastise me. SEBASTIAN  Ha, ha! What things are these, my lord Antonio? ... The parallel is neatly underlined between Trinculo and Stephano, and Antonio and Sebastian.

GONZALO  Had I plantation of this isle, my lord—. ANTONIO  He’d sow’t with nettle-seed. ... Antonio adds that he’s got carried away and has forgotten the beginning of his thought experiment, his fantasy.

Antonio chafing, a Duke in his own right, or so he thinks, but aware that he is reliant on Alonso for his dukedom, and therefore nitpicking, pointscoring, sarcastic.

ANTONIO  I’ll be thy second. Exeunt [Sebastian and Antonio]. GONZALO  All three of them are desperate: their great guilt,. ... Sebastian, of course, lashes out, with hubris: I’ll fight these devils. And Antonio, the same (but just a little bit

even better, finer and better-looking, than this hypothetical and in fact non-existent brave son of Antonio, the pretended Duke.

Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO. ... If the stage is covered with rushes—opinions vary—then it’s hard to think what

key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a

San Antonio Mobile Truck Repair 6 months, 3 weeks ago.

Proteus:! ; Antonio: No, son, you’re going to Milan TOMORROW, go and pack (1.3.72-77) #2Dudes1Dog #SlowShakespeare.

Everything, animate and inanimate, is directed towards telling Antonio, Sebastian, and Alonso that it’s time for a reckoning, time for their comeuppance; fate has finally caught up with them. ... Bemocked-at stabs is a nice touch, suggesting scorn

DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I know the gentleman. ... The Duke’s holding off saying who this might be; his questions might be genuine requests for information, but he might, like his daughter, be playing games:

To seal our happiness with their consents! O heavenly Julia!–. ANTONIO  How now? ... Antonio: do you want to go to Milan? Proteus: TOTALLY not my call!

Alonso, you have no idea…) But he makes up his mind on the spot: thy dukedom I resign, that is, he revokes his granting of that title to Antonio, and returns ... Prospero magnanimous (still), Sebastian cornered, Antonio silent… (5.1.125-134)

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

All drowned. (The brave son of the Duke of Milan – that is Antonio – is a loose end; he doesn’t appear in 1.1 and is never mentioned again.

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

Don’t trouble yourself, my lord: we’ll make a proper time to have that conversation, soon, single, just the two of us (so that Antonio and Sebastian can’t hear?

The detail that the mariners remained on board is going to be important for the plot: the King, Antonio, and their entourage and servants have to be separated from the ordinary

Exeunt Caliban, Stephano and Trinculo] (5.1.290-300). Alonso is politer than Sebastian and Antonio, much: this is a strange thing as e’er I looked on; it’s a

Antonio has ‘sp[a]t upon my Jewish gaberdine’, 1.3.

now the marriage – between Ferdinand and Miranda – but also, more generally, in relation to his plans regarding his brother Antonio, Alonso the king of Naples, and the dukedom of Milan.

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

Antonio: this will be permanent, a new era.

Anyone who does not wish them joy deserves to be miserable (is this a glance at Sebastian and Antonio?) And from this point onwards, the action speeds up, as the play

You three—Alonso and Sebastian as guilty as Antonio—did depose, supplant good Prospero.

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... If of life you keep a […]. ANTONIO  Here lies your brother, No better than the earth he lies upon.

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this?

was bewildered and amused by the “Oprah Winfrey-style reconciliation” (104) between Prospero and Antonio at the end of The Tempest.

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

analogues, a tale within the fourth chapter of Antonio de Eslava’s Noches de Invierno [Winter Nights] (1609).

Please you deliberate a day or two. ANTONIO  Look what thou want’st shall be sent after thee. ... You shall be employed To hasten on his expedition. [Exeunt Antonio and Pantino] (1.3.72-77) Proteus is holding […]. ANTONIO  My will is something

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I […]. SILVIA A fine volley of words, gentlemen, and quickly shot off.

Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others. GONZALO  By’r lakin, I can go no further, sir;.

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.

uncle, called Antonio— I pray thee mark me, that a brother should Be so perfidious – he, whom next thyself Of all the world I loved, and to him put The manage

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I