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Proteus:! ; Antonio: No, son, you’re going to Milan TOMORROW, go and pack (1.3.72-77) #2Dudes1Dog #SlowShakespeare.

Everything, animate and inanimate, is directed towards telling Antonio, Sebastian, and Alonso that it’s time for a reckoning, time for their comeuppance; fate has finally caught up with them. ... Bemocked-at stabs is a nice touch, suggesting scorn

DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I know the gentleman. ... The Duke’s holding off saying who this might be; his questions might be genuine requests for information, but he might, like his daughter, be playing games:

To seal our happiness with their consents! O heavenly Julia!–. ANTONIO  How now? ... Antonio: do you want to go to Milan? Proteus: TOTALLY not my call!

Alonso, you have no idea…) But he makes up his mind on the spot: thy dukedom I resign, that is, he revokes his granting of that title to Antonio, and returns ... Prospero magnanimous (still), Sebastian cornered, Antonio silent… (5.1.125-134)

San Antonio Mobile Truck Repair 7 months ago. The clinamen wrests will from destiny, Lucretius writes, and allows human beings to go where their desire takes them.

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

All drowned. (The brave son of the Duke of Milan – that is Antonio – is a loose end; he doesn’t appear in 1.1 and is never mentioned again.

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

Don’t trouble yourself, my lord: we’ll make a proper time to have that conversation, soon, single, just the two of us (so that Antonio and Sebastian can’t hear?

The detail that the mariners remained on board is going to be important for the plot: the King, Antonio, and their entourage and servants have to be separated from the ordinary

Exeunt Caliban, Stephano and Trinculo] (5.1.290-300). Alonso is politer than Sebastian and Antonio, much: this is a strange thing as e’er I looked on; it’s a

Antonio has ‘sp[a]t upon my Jewish gaberdine’, 1.3.

now the marriage – between Ferdinand and Miranda – but also, more generally, in relation to his plans regarding his brother Antonio, Alonso the king of Naples, and the dukedom of Milan.

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

Antonio: this will be permanent, a new era.

Anyone who does not wish them joy deserves to be miserable (is this a glance at Sebastian and Antonio?) And from this point onwards, the action speeds up, as the play

You three—Alonso and Sebastian as guilty as Antonio—did depose, supplant good Prospero.

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... If of life you keep a […]. ANTONIO  Here lies your brother, No better than the earth he lies upon.

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this?