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With all the goings-on with Sebastian and Antonio, Gonzalo and Alonso, and not least Gonzalo’s reimagining of the island, it’s easy to forget its strangeness, and apparent hostility

I am afraid. He will chastise me. SEBASTIAN  Ha, ha! What things are these, my lord Antonio? ... The parallel is neatly underlined between Trinculo and Stephano, and Antonio and Sebastian.

key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a

GONZALO  Had I plantation of this isle, my lord—. ANTONIO  He’d sow’t with nettle-seed. ... Antonio adds that he’s got carried away and has forgotten the beginning of his thought experiment, his fantasy.

Antonio chafing, a Duke in his own right, or so he thinks, but aware that he is reliant on Alonso for his dukedom, and therefore nitpicking, pointscoring, sarcastic.

ANTONIO  I’ll be thy second. Exeunt [Sebastian and Antonio]. GONZALO  All three of them are desperate: their great guilt,. ... Sebastian, of course, lashes out, with hubris: I’ll fight these devils. And Antonio, the same (but just a little bit

even better, finer and better-looking, than this hypothetical and in fact non-existent brave son of Antonio, the pretended Duke.

Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO. ... If the stage is covered with rushes—opinions vary—then it’s hard to think what

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

Proteus:! ; Antonio: No, son, you’re going to Milan TOMORROW, go and pack (1.3.72-77) #2Dudes1Dog #SlowShakespeare.

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Everything, animate and inanimate, is directed towards telling Antonio, Sebastian, and Alonso that it’s time for a reckoning, time for their comeuppance; fate has finally caught up with them. ... Bemocked-at stabs is a nice touch, suggesting scorn

DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I know the gentleman. ... The Duke’s holding off saying who this might be; his questions might be genuine requests for information, but he might, like his daughter, be playing games:

To seal our happiness with their consents! O heavenly Julia!–. ANTONIO  How now? ... Antonio: do you want to go to Milan? Proteus: TOTALLY not my call!

Alonso, you have no idea…) But he makes up his mind on the spot: thy dukedom I resign, that is, he revokes his granting of that title to Antonio, and returns ... Prospero magnanimous (still), Sebastian cornered, Antonio silent… (5.1.125-134)

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

All drowned. (The brave son of the Duke of Milan – that is Antonio – is a loose end; he doesn’t appear in 1.1 and is never mentioned again.

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

Don’t trouble yourself, my lord: we’ll make a proper time to have that conversation, soon, single, just the two of us (so that Antonio and Sebastian can’t hear?

The detail that the mariners remained on board is going to be important for the plot: the King, Antonio, and their entourage and servants have to be separated from the ordinary