Search

Search Funnelback University

Search powered by Funnelback
1 - 50 of 193 search results for Antonio Vidal-Puig |u:www.english.cam.ac.uk where 0 match all words and 193 match some words.
  1. Results that match 1 of 2 words

  2. Prospero magnanimous (still), Sebastian cornered, Antonio silent……

    https://www.english.cam.ac.uk/research/stormtossed/2020/05/09/prospero-magnanimous-still-sebastian-cornered-antonio-silent-5-1-125-134-stormtossed/
    Stormtossed. Prospero magnanimous (still), Sebastian cornered, Antonio silent… (5.1.125-134) #StormTossed. Posted on. ... PROSPERO  Welcome, my friends all;. [aside to Sebastian and Antonio] But you, my brace of lords, were I so minded,.
  3. June 15th, 2017This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: 21 November (Tuesday) 2-5 pm:. Study Day with Paul Antonio.
  4. Harry Berger, Jr., A Fury in the Words: Love and Embarrassment in…

    https://www.english.cam.ac.uk/spenseronline/review/item/43.3.56/
    The ever-loving Antonio actually “goad[s] Shylock into sticking it to him” in order “to keep Bassanio permanently in his debt” (22). ... As for boa constriction, Portia sets out to “embarrass not only Shylock but also Antonio—and Bassanio”
  5. April | 2017 | The Manuscripts Lab

    https://www.english.cam.ac.uk/manuscriptslab/2017/04/
    centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).
  6. English Handwriting 1500-1700: An Online Course

    https://www.english.cam.ac.uk/ceres/ehoc/manuscripts.html
    Christ's College Library, MS 21, no. 37. [Select propositions in Spherical Trigonometry from the Book of Jannes Antonio Magino, translated by John Collins, 1646'.
  7. Antonio: do you want to go to Milan? Proteus: TOTALLY not my call!…

    https://www.english.cam.ac.uk/research/slow-shakespeare/2024/02/04/antonio-do-you-want-to-go-to-milan-proteus-totally-not-my-call-1-3-55-62-2dudes1dog-slowshakespeare/
    Slow Shakespeare. Antonio: do you want to go to Milan? Proteus: TOTALLY not my call! ... 1.3.55-62). Oh great, says Antonio, let me see: lend me the letter.
  8. Centre for Material Texts » Blog Archive » Angry Angels

    https://www.english.cam.ac.uk/cmt/?p=6183
    Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of
  9. Proteus: !!!!; Antonio: No, son, you’re going to Milan TOMORROW, go…

    https://www.english.cam.ac.uk/research/slow-shakespeare/2024/02/06/proteus-antonio-no-son-youre-going-to-milan-tomorrow-go-and-pack-1-3-72-77-2dudes1dog-slowshakespeare/
    ANTONIO  Look what thou want’st shall be sent after thee. No more of stay. ... Antonio can be grumpy, stern, peremptory, an early version of Capulet telling Juliet that she’s going to marry Paris.
  10. Richard Meek and Erin Sullivan, eds. The Renaissance of Emotion

    https://www.english.cam.ac.uk/spenseronline/review/item/45.3.9/
    She then turns to Shakespeare’s The Merchant of Venice to argue that, rather than showing the ways in which characters such as Shylock and Antonio are simply subject to physiological ... She argues that Antonio, seeing the story of Jacob and Laban’s
  11. Antonio: couldn’t agree more, Proteus needs to spread his wings…

    https://www.english.cam.ac.uk/research/slow-shakespeare/2024/01/31/antonio-couldnt-agree-more-proteus-needs-to-spread-his-wings-1-3-11-23-2dudes1dog-slowshakespeare/
    Slow Shakespeare. Antonio: couldn’t agree more, Proteus needs to spread his wings (1.3.11-23) #2Dudes1Dog #SlowShakespeare. ... ANTONIO  Nor need’st thou much importune me to that. Whereon this month I have been hammering.
  12. Francesco Benelli (Columbia) turned our attention to a tiny diagram–less than one inch square–that the Renaissance architect Antonio da Sangallo the Younger added in the margins of his copy ... Antonio de Nebrija (1441-1522) was a Spanish
  13. Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.
  14. Stormtossed | Just another WordPress site | Page 11

    https://www.english.cam.ac.uk/research/stormtossed/page/11/
    ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.
  15. centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).
  16. January | 2020 | Stormtossed

    https://www.english.cam.ac.uk/research/stormtossed/2020/01/
    What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry. ... All sleep except Alonso, Sebastian and Antonio.] ALONSO  What, all so soon asleep?
  17. Stormtossed | Just another WordPress site | Page 12

    https://www.english.cam.ac.uk/research/stormtossed/page/12/
    GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.
  18. Centre for Material Texts » News

    https://www.english.cam.ac.uk/cmt/?cat=5&paged=2
    June 15th, 2017This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: 21 November (Tuesday) 2-5 pm:. Study Day with Paul Antonio.
  19. Stormtossed | Just another WordPress site | Page 10

    https://www.english.cam.ac.uk/research/stormtossed/page/10/
    ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this?
  20. Stormtossed | Just another WordPress site | Page 7

    https://www.english.cam.ac.uk/research/stormtossed/page/7/
    ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,
  21. English Handwriting 1500-1700: An Online Course

    https://www.english.cam.ac.uk/ceres/ehoc/acknowledgements.html
    8v, 9v, 10r; gc618-8v.jpg, gc618-9v.jpg, gc618-10r.jpg. 'Select propositions in Spherical Trigonometry from the Book of Jannes Antonio Magino, translated by John Collins, 1646'; G&CC
  22. Centre for Material Texts » Jason Scott-Warren

    https://www.english.cam.ac.uk/cmt/?author=2&paged=8
    June 15th, 2017This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: 21 November (Tuesday) 2-5 pm:. Study Day with Paul Antonio.
  23. Centre for Material Texts » Blog

    https://www.english.cam.ac.uk/cmt/?cat=7
    Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of
  24. Hester Lees-Jeffries | Stormtossed | Page 3

    https://www.english.cam.ac.uk/research/stormtossed/author/hmml2/page/3/
    Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.
  25. Minutes for the 2016 ISS Executive Committee Meeting

    https://www.english.cam.ac.uk/spenseronline/review/item/45.3.19/
    San Antonio On-Site Truck Repair 6 months, 2 weeks ago.
  26. Victor Skretkowicz, European Erotic Romance: Philhellene…

    https://www.english.cam.ac.uk/spenseronline/review/item/43.1.7/
    Mobile Mechanic of San Antonio 2 months ago. While Protestant and Huguenot politics concern immediate precursors of Shakespeare’s Antony and Cleopatra, written and translated by Garnier, Mary Sidney Herbert, and
  27. Home – Contemporaries

    https://www.english.cam.ac.uk/research/contemporary/?cat=14
    By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era
  28. Hester Lees-Jeffries | Stormtossed | Page 17

    https://www.english.cam.ac.uk/research/stormtossed/author/hmml2/page/17/
    key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a
  29. Hester Lees-Jeffries | Stormtossed | Page 16

    https://www.english.cam.ac.uk/research/stormtossed/author/hmml2/page/16/
    Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan
  30. Centre for Material Texts » Blog

    https://www.english.cam.ac.uk/cmt/?page_id=574
    Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of
  31. Uncategorized | Renaissance Research Group | Page 2

    https://www.english.cam.ac.uk/research/renaissance/?cat=1&paged=2
    Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.
  32. Events | The Manuscripts Lab

    https://www.english.cam.ac.uk/manuscriptslab/category/events/
    centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).
  33. Centre for Material Texts » Seminar Series

    https://www.english.cam.ac.uk/cmt/?cat=6&paged=3
    centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).
  34. Publications – Contemporaries

    https://www.english.cam.ac.uk/research/contemporary/?cat=121
    By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era
  35. Jane Everson, Andrew Hiscock and Stefano Jossa, eds., Ariosto: The…

    https://www.english.cam.ac.uk/spenseronline/review/item/50.2.9/
    Marco Dorigatti traces Antonio Panizzi’s meteoric rise from political refugee to Principal Librarian of the British Museum (and an eventual knighthood).
  36. March | 2020 | Stormtossed

    https://www.english.cam.ac.uk/research/stormtossed/2020/03/
    ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,
  37. admin | Renaissance Research Group | Page 2

    https://www.english.cam.ac.uk/research/renaissance/?author=1&paged=2
    Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.
  38. David Landreth, The Face of Mammon: The Matter of Money in English…

    https://www.english.cam.ac.uk/spenseronline/review/item/43.1.4/
    disavowal. Although the play’s central characters, Shylock, Antonio, and Bassanio, continuously use coinage to articulate what they desire, they insist that the things they are using currency to express are
  39. Contemporaries – Page 4 – University of Cambridge Contemporary…

    https://www.english.cam.ac.uk/research/contemporary/?paged=4
    By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era
  40. Alex Davis, Imagining Inheritance from Chaucer to Shakespeare

    https://www.english.cam.ac.uk/spenseronline/review/item/52.1.9/
    one accounts for the long tradition of the prodigal son archetype, Shakespeare’s manipulation of it, and the queer energies of the play (Bassanio is certainly not unappealing to Antonio).
  41. Ian Frederick Moulton, Love in Print in the Sixteenth Century

    https://www.english.cam.ac.uk/spenseronline/review/item/45.3.10/
    He embarks by proposing an analysis of four sixteenth- and seventeenth-century texts: Castiglione’s Il Cortegiano, Mario Equicola’s De natura d’amore, Giovanni Antonio Tagliente’s Opera amorosa, and
  42. Centre for Material Texts » Events

    https://www.english.cam.ac.uk/cmt/?cat=4&paged=8
    Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.
  43. Centre for Material Texts » Jason Scott-Warren

    https://www.english.cam.ac.uk/cmt/?author=2&paged=15
    Francesco Benelli (Columbia) turned our attention to a tiny diagram–less than one inch square–that the Renaissance architect Antonio da Sangallo the Younger added in the margins of his copy ... Antonio de Nebrija (1441-1522) was a Spanish
  44. Thomas Fulton and Kristen Poole, eds., The Bible on the Shakespearean …

    https://www.english.cam.ac.uk/spenseronline/review/item/49.2.14/
    Reformation England (Cambridge: Cambridge University Press 2018). Antonio’s warning in The Merchant of Venice, ‘Mark you this, Bassanio, the devil can cite Scripture for his purpose’ (1.3.91-92),
  45. Kathleen Christian and Bianca de Divitiis, eds., Local Antiquities,…

    https://www.english.cam.ac.uk/spenseronline/review/item/49.2.13/
    In the later fifteenth century, for example, the Milanese writer Antonio Cornazzano wrote De Laudibus Caroli Magni (1461) and his compatriot Alberto Cattaneo compiled a history of the kings of France
  46. Hester Lees-Jeffries | Slow Shakespeare | Page 13

    https://www.english.cam.ac.uk/research/slow-shakespeare/author/hmml2/page/13/
    DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I […]. SILVIA A fine volley of words, gentlemen, and quickly shot off.
  47. Katharine Eisaman Maus, Being and Having in Shakespeare

    https://www.english.cam.ac.uk/spenseronline/review/item/44.1.17/
    Thus, while Maus reads the reconciliation of Antonio, Portia, and Bassanio without cynicism—male friendship and companionate marriage, she contends, are not mutually exclusive—she admits that the happiness in Belmont
  48. admin | The Manuscripts Lab | Page 2

    https://www.english.cam.ac.uk/manuscriptslab/author/admin/page/2/
    centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).
  49. Uncategorised | Stormtossed | Page 3

    https://www.english.cam.ac.uk/research/stormtossed/category/uncategorised/page/3/
    Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.
  50. Jerry Brotton, This Orient Isle: Elizabethan England and the Islamic…

    https://www.english.cam.ac.uk/spenseronline/review/item/47.2.26/
    The Sultan al-Mansur audaciously proposed to place Don António on the Portuguese throne and to reconquer Al-Andalus, a plan that Brotton suggests is part of Elizabeth’s larger
  51. News | Renaissance Research Group | Faculty of English, University of …

    https://www.english.cam.ac.uk/research/renaissance/?page_id=78&paged=2
    Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

Refine your results

Search history

Recently clicked results

Recently clicked results

Your click history is empty.

Recent searches

Recent searches

Your search history is empty.