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Centre for Material Texts » Jason Scott-Warren
https://www.english.cam.ac.uk/cmt/?author=2&paged=8June 15th, 2017This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: 21 November (Tuesday) 2-5 pm:. Study Day with Paul Antonio. -
Hester Lees-Jeffries | Stormtossed | Page 3
https://www.english.cam.ac.uk/research/stormtossed/author/hmml2/page/3/Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO. -
Victor Skretkowicz, European Erotic Romance: Philhellene…
https://www.english.cam.ac.uk/spenseronline/review/item/43.1.7/Mobile Mechanic of San Antonio 2 months, 3 weeks ago. -
Minutes for the 2016 ISS Executive Committee Meeting
https://www.english.cam.ac.uk/spenseronline/review/item/45.3.19/San Antonio On-Site Truck Repair 7 months, 1 week ago. -
Hester Lees-Jeffries | Stormtossed | Page 17
https://www.english.cam.ac.uk/research/stormtossed/author/hmml2/page/17/key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO My brother and thy uncle, called Antonio— I pray thee mark me, that a -
Home – Contemporaries
https://www.english.cam.ac.uk/research/contemporary/?cat=14By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era -
Hester Lees-Jeffries | Stormtossed | Page 16
https://www.english.cam.ac.uk/research/stormtossed/author/hmml2/page/16/Dear, they durst not, So dear the love my people bore me, […]. PROSPERO Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan -
Centre for Material Texts » Blog
https://www.english.cam.ac.uk/cmt/?cat=7Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of -
Uncategorized | Renaissance Research Group | Page 2
https://www.english.cam.ac.uk/research/renaissance/?cat=1&paged=2Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio. -
Stormtossed | Just another WordPress site | Page 7
https://www.english.cam.ac.uk/research/stormtossed/page/7/ANTONIO I’ll believe both; […]. ANTONIO [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO, -
Centre for Material Texts » Seminar Series
https://www.english.cam.ac.uk/cmt/?cat=6&paged=3centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196). -
Publications – Contemporaries
https://www.english.cam.ac.uk/research/contemporary/?cat=121By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era -
Events | The Manuscripts Lab
https://www.english.cam.ac.uk/manuscriptslab/category/events/centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196). -
Jane Everson, Andrew Hiscock and Stefano Jossa, eds., Ariosto: The…
https://www.english.cam.ac.uk/spenseronline/review/item/50.2.9/Marco Dorigatti traces Antonio Panizzi’s meteoric rise from political refugee to Principal Librarian of the British Museum (and an eventual knighthood). -
Contemporaries – Page 4 – University of Cambridge Contemporary…
https://www.english.cam.ac.uk/research/contemporary/?paged=4By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era -
Centre for Material Texts » Blog
https://www.english.cam.ac.uk/cmt/?page_id=574Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of -
David Landreth, The Face of Mammon: The Matter of Money in English…
https://www.english.cam.ac.uk/spenseronline/review/item/43.1.4/disavowal. Although the play’s central characters, Shylock, Antonio, and Bassanio, continuously use coinage to articulate what they desire, they insist that the things they are using currency to express are -
admin | Renaissance Research Group | Page 2
https://www.english.cam.ac.uk/research/renaissance/?author=1&paged=2Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio. -
Alex Davis, Imagining Inheritance from Chaucer to Shakespeare
https://www.english.cam.ac.uk/spenseronline/review/item/52.1.9/one accounts for the long tradition of the prodigal son archetype, Shakespeare’s manipulation of it, and the queer energies of the play (Bassanio is certainly not unappealing to Antonio). -
Ian Frederick Moulton, Love in Print in the Sixteenth Century
https://www.english.cam.ac.uk/spenseronline/review/item/45.3.10/He embarks by proposing an analysis of four sixteenth- and seventeenth-century texts: Castiglione’s Il Cortegiano, Mario Equicola’s De natura d’amore, Giovanni Antonio Tagliente’s Opera amorosa, and
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