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brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

brother). (This is the first time that he and Antonio have been, sort of, in the same scene or space.) And Alonso, crucially, sides with Gonzalo, agreeing that they have been ... They have communicated without words, an excellent dumb discourse.

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

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But it’s consistent with my reason for blogging about it. Mack uses the word ‘cognitive’ often, but although he cites Antonio Damasio on a number of occasions (mostly in relation

ANTONIO  Will you grant with me. That Ferdinand is drowned? SEBASTIAN  He’s gone. ... ANTONIO  Then tell me,. Who’s the next heir of Naples? SEBASTIAN  Claribel.

ANTONIO  Which, of he or Adrian, for a good wager, first begins to crow? ... ANTONIO  A laughter. SEBASTIAN  A match! ADRIAN  Though this island seem to be desert—.

3.3.40-52). Francisco’s one and only line in this scene could easily be reallocated – to Alonso, Gonzalo, or even Antonio. ... he’s in.) And so he goes to the banquet, inviting Antonio (whom he addresses as my lord the Duke, a timely reminder of

and he’s now keeping going with the rest of the sentence he had begun: his ambition growing… Antonio sought to do away with any distinction between standing in for the ... Antonio’s ambition thus went beyond personal ambition or sibling rivalry: he

Marco Dorigatti traces Antonio Panizzi’s meteoric rise from political refugee to Principal Librarian of the British Museum (and an eventual knighthood).

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GONZALO  Therefore, my lord—. ANTONIO  Fie, what a spendthrift is he of his tongue! ... It’s worth being reminded that Antonio is Prospero’s brother, the usurping Duke of Milan – but he hasn’t yet been named aloud.

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

Prospero will, shortly, ask that Ariel bring him his hat and rapier so that he can appear as duke before his brother Antonio, the king, and the rest of the Neapolitans.)

He’s addressing the king; the suggestion is there that he will also be speaking to Antonio, his brother (if he is part of the king’s train) but he’s

that Prospero and Antonio are indeed brothers, good wombs have borne bad sons. ... feminine ending, an extra syllable; it’s as if Milan has been Prospero’s beautiful wife, now divorced from him and given in marriage to Antonio.

Shake off slumber and beware. Awake, wake! ANTONIO  Then let us both be sudden. ... up! Beware! Then let us both be sudden, says Antonio, strike in the same moment, right now, having resolved whatever issue – a final qualm of conscience?

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PROSPERO  My brother and thy uncle, called Antonio—. I pray thee mark me, that a brother should. ... Yet at the same time as Prospero is condemning his faithless, perfidious brother, he’s acknowledging, at least implicitly, that Antonio had a

Richard II and Coriolanus particularly spring to mind.) And in this perceived, and actual, power vacuum, Antonio made his move. ... And Prospero’s biggest mistake was to trust him. He trusted his brother completely, and Antonio took advantage of that.