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Reformation England (Cambridge: Cambridge University Press 2018). Antonio’s warning in The Merchant of Venice, ‘Mark you this, Bassanio, the devil can cite Scripture for his purpose’ (1.3.91-92),

In the later fifteenth century, for example, the Milanese writer Antonio Cornazzano wrote De Laudibus Caroli Magni (1461) and his compatriot Alberto Cattaneo compiled a history of the kings of France

DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I […]. SILVIA A fine volley of words, gentlemen, and quickly shot off.

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

Thus, while Maus reads the reconciliation of Antonio, Portia, and Bassanio without cynicism—male friendship and companionate marriage, she contends, are not mutually exclusive—she admits that the happiness in Belmont

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.

The Sultan al-Mansur audaciously proposed to place Don António on the Portuguese throne and to reconquer Al-Andalus, a plan that Brotton suggests is part of Elizabeth’s larger

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this? ... SEBASTIAN  He’s gone. ANTONIO  Then tell me, Who’s the next heir of Naples?

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

3 Jul 2024: M. Wilson In act 1 scene 2 of Shakespeare’s The Two Gentlemen of Verona, Antonio discusses his son with his friend Panthino. ... E. M. Wilson/strong/p p/p pIn act 1 scene 2 of Shakespeare’s emThe Two Gentlemen of Verona/em, Antonio discusses his son

key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... If of life you keep a […]. ANTONIO  Here lies your brother, No better than the earth he lies upon.

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this?

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

June 15th, 2017This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: 21 November (Tuesday) 2-5 pm:. Study Day with Paul Antonio.

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

Christ's College Library, MS 21, no. 37. [Select propositions in Spherical Trigonometry from the Book of Jannes Antonio Magino, translated by John Collins, 1646'.

DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I […]. SILVIA A fine volley of words, gentlemen, and quickly shot off.

Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others. GONZALO  By’r lakin, I can go no further, sir;.

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.

relational gestures / a post by Helen Magowan. November 24th, 20201 Sasareishi, volume 1 f.12v-13r. 1713, Hasegawa Myōtei. Ebibunko. The first image in this blog post shows a page from a book published in 1713. In three volumes, it’s a

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.

Enter SEBASTIAN, ANTONIO and GONZALO. Yet again? What do you here? Shall we give o’er and drown? ... BOATSWAIN  Work you, then. ANTONIO  Hang, cur! Hang you, whoreson, insolent noise-maker!

26 May 2020: I am afraid/p pHe will chastise me./p pSEBASTIAN Ha, ha!br / What things are these, my lord Antonio?/p pWill money buy ’em?/p pANTONIO Very like. ... Unkind words of reproach and rebuke? Curses? Or the dreaded pinching?/p pThe parallel is neatly

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

Torino: Erasmo, 1960. Rumeu de Armas, Antonio. Hernando Colón, historiador del descubrimiento de América. ... Two vols. (vol. I catalogue, vol. II indexes). Segura Morera, Antonio & Pilar Vallejo Orellana.

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

3 Jul 2024: Gallery – Centre for Material Texts https://www.english.cam.ac.uk/cmt History of the Book at Cambridge Tue, 24 Nov 2020 10:26:24 0000 en-US hourly 1 relational gestures / a post by Helen Magowan https://www.english.cam.ac.uk/cmt/?p=5979 https://www

She then turns to Shakespeare’s The Merchant of Venice to argue that, rather than showing the ways in which characters such as Shylock and Antonio are simply subject to physiological ... She argues that Antonio, seeing the story of Jacob and Laban’s

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.

uncle, called Antonio— I pray thee mark me, that a brother should Be so perfidious – he, whom next thyself Of all the world I loved, and to him put The manage

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).