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SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this?

Torino: Erasmo, 1960. Rumeu de Armas, Antonio. Hernando Colón, historiador del descubrimiento de América. ... Two vols. (vol. I catalogue, vol. II indexes). Segura Morera, Antonio & Pilar Vallejo Orellana.

PROTEUS May’t please […]. ANTONIO  I like thy counsel. Well hast thou advised. ... PANTINO  ’Twas of his nephew Proteus, your son. ANTONIO Why, what of him?

26 May 2020: I am afraid/p pHe will chastise me./p pSEBASTIAN Ha, ha!br / What things are these, my lord Antonio?/p pWill money buy ’em?/p pANTONIO Very like. ... Unkind words of reproach and rebuke? Curses? Or the dreaded pinching?/p pThe parallel is neatly

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

8] Antonio de Torquemada, The Spanish Mandeuile of Miracles (1600), sig.33v: “there is indeede much talke of the Mermaydes, whom they say from the middle vpward to haue the shape ... San Antonio photo booth rental 9 months, 1 week ago.

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... ANTONIO  Let’s all sink wi’th’King. SEBASTIAN  Let’s take leave of him.

ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.

3 Jul 2024: Gallery – Centre for Material Texts https://www.english.cam.ac.uk/cmt History of the Book at Cambridge Tue, 24 Nov 2020 10:26:24 0000 en-US hourly 1 relational gestures / a post by Helen Magowan https://www.english.cam.ac.uk/cmt/?p=5979 https://www

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

On the one hand, the play features numerous acts of decision: Bassanio decides to woo Portia, Portia decides to marry according to the terms of the lottery, Antonio decides to agree ... On the other hand, the play casts these decisions under the umbra of

But it’s consistent with my reason for blogging about it. Mack uses the word ‘cognitive’ often, but although he cites Antonio Damasio on a number of occasions (mostly in relation

key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I