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brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

8v, 9v, 10r; gc618-8v.jpg, gc618-9v.jpg, gc618-10r.jpg. 'Select propositions in Spherical Trigonometry from the Book of Jannes Antonio Magino, translated by John Collins, 1646'; G&CC

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of

Reformation England (Cambridge: Cambridge University Press 2018). Antonio’s warning in The Merchant of Venice, ‘Mark you this, Bassanio, the devil can cite Scripture for his purpose’ (1.3.91-92),

In the later fifteenth century, for example, the Milanese writer Antonio Cornazzano wrote De Laudibus Caroli Magni (1461) and his compatriot Alberto Cattaneo compiled a history of the kings of France

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

Thus, while Maus reads the reconciliation of Antonio, Portia, and Bassanio without cynicism—male friendship and companionate marriage, she contends, are not mutually exclusive—she admits that the happiness in Belmont

Francesco Benelli (Columbia) turned our attention to a tiny diagram–less than one inch square–that the Renaissance architect Antonio da Sangallo the Younger added in the margins of his copy ... Antonio de Nebrija (1441-1522) was a Spanish

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

The Sultan al-Mansur audaciously proposed to place Don António on the Portuguese throne and to reconquer Al-Andalus, a plan that Brotton suggests is part of Elizabeth’s larger

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... ANTONIO  Let’s all sink wi’th’King. SEBASTIAN  Let’s take leave of him.

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this? ... SEBASTIAN  He’s gone. ANTONIO  Then tell me, Who’s the next heir of Naples?

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?