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ANTONIO  True, save means to live. SEBASTIAN  Of that there’s none, or little. ... SEBASTIAN  With an eye of green in’t. ANTONIO  He misses not much.

brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

brother). (This is the first time that he and Antonio have been, sort of, in the same scene or space.) And Alonso, crucially, sides with Gonzalo, agreeing that they have been ... They have communicated without words, an excellent dumb discourse.

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

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But it’s consistent with my reason for blogging about it. Mack uses the word ‘cognitive’ often, but although he cites Antonio Damasio on a number of occasions (mostly in relation

ANTONIO  Will you grant with me. That Ferdinand is drowned? SEBASTIAN  He’s gone. ... ANTONIO  Then tell me,. Who’s the next heir of Naples? SEBASTIAN  Claribel.

ANTONIO  Which, of he or Adrian, for a good wager, first begins to crow? ... ANTONIO  A laughter. SEBASTIAN  A match! ADRIAN  Though this island seem to be desert—.

3.3.40-52). Francisco’s one and only line in this scene could easily be reallocated – to Alonso, Gonzalo, or even Antonio. ... he’s in.) And so he goes to the banquet, inviting Antonio (whom he addresses as my lord the Duke, a timely reminder of

and he’s now keeping going with the rest of the sentence he had begun: his ambition growing… Antonio sought to do away with any distinction between standing in for the ... Antonio’s ambition thus went beyond personal ambition or sibling rivalry: he

Marco Dorigatti traces Antonio Panizzi’s meteoric rise from political refugee to Principal Librarian of the British Museum (and an eventual knighthood).

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GONZALO  Therefore, my lord—. ANTONIO  Fie, what a spendthrift is he of his tongue! ... It’s worth being reminded that Antonio is Prospero’s brother, the usurping Duke of Milan – but he hasn’t yet been named aloud.

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

Prospero will, shortly, ask that Ariel bring him his hat and rapier so that he can appear as duke before his brother Antonio, the king, and the rest of the Neapolitans.)

He’s addressing the king; the suggestion is there that he will also be speaking to Antonio, his brother (if he is part of the king’s train) but he’s

that Prospero and Antonio are indeed brothers, good wombs have borne bad sons. ... feminine ending, an extra syllable; it’s as if Milan has been Prospero’s beautiful wife, now divorced from him and given in marriage to Antonio.

PROSPERO  My brother and thy uncle, called Antonio—. I pray thee mark me, that a brother should. ... Yet at the same time as Prospero is condemning his faithless, perfidious brother, he’s acknowledging, at least implicitly, that Antonio had a

Shake off slumber and beware. Awake, wake! ANTONIO  Then let us both be sudden. ... up! Beware! Then let us both be sudden, says Antonio, strike in the same moment, right now, having resolved whatever issue – a final qualm of conscience?

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Richard II and Coriolanus particularly spring to mind.) And in this perceived, and actual, power vacuum, Antonio made his move. ... And Prospero’s biggest mistake was to trust him. He trusted his brother completely, and Antonio took advantage of that.

ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight,. For now they are oppressed with travail; they.

still loved him (and so Antonio and his faction didn’t want to provoke them into an uprising in Prospero’s defence) and also that they wouldn’t want to be ... Antonio and the king of Navarre and those doing their dirty work with colours fairer

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.

is for, that is, it is to complete Prospero’s enchantment, fulfil his purpose, the spell that he is casting upon Antonio, Alonso the King, and the other Neapolitans, and perhaps

ANTONIO  Here lies your brother,. No better than the earth he lies upon. ... fact Antonio is going to kill Alonso, Sebastian’s brother, not Sebastian himself.

A deflection, therefore, which is also a crucial question, not least in confirming, for the audience, who Antonio is: I remember you did supplant your brother Prospero. ... Don’t have one, not bothered, says Antonio. Where do I keep my conscience?

But now he volunteers information, giving far more back-story than seems necessary, and like Antonio and Sebastian, Stephano and Trinculo, Prospero monsters Caliban; he is this misshapen knave.

ALONSO  I heard nothing. ANTONIO  O, ’twas a din to fright a monster’s ear—. ... Pride, one can imagine Sebastian mouthing, in frustration at Antonio’s over-enthusiasm, lions come in prides – the term was already current.

thought of this possibility at all until he was led astray by Antonio? ... although certainly not the vast and dangerous distance so colourfully described by Antonio.

EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others. GONZALO  Beseech you, sir, be merry. ... Sebastian and Antonio, as they did in 1.1, snipe from the sidelines.

ANTONIO  And the rarest that e’er came there. SEBASTIAN  Bate, I beseech you, widow Dido. ... Gonzalo begins again in good time, according to Antonio, regular as clockwork, unable to keep quiet for long.

Rather, Alonso, Antonio, and Sebastian are all three distracted, maddened, out of their wits, while their courtiers (the luckless, near-lineless Adrian and Francisco) can only watch, brimful of sorrow and ... named; here Antonio is only implicitly

What’s struck me so often is how often Prospero speaks of his pain; he’s not just angry with Antonio, for instance, but desperately hurt by him.

SEBASTIAN  No marrying ’mongst his subjects? ANTONIO  None, man, all idle—whores and knaves. ... Again Antonio equates idleness with immorality, but Gonzalo is adamant: I would with such perfection govern t’excel the Golden Age.

ANTONIO  If but one of his pockets could speak, would it not say he lies?

nothing. ANTONIO  ’Twas you we laughed at. GONZALO  Who, in this kind of merry fooling, am nothing to you, so you may continue and laugh at nothing still. ... ANTONIO  What a blow was there given! SEBASTIAN  An it had not fallen flat-long.

Alonso, Sebastian and Antonio draw their swords.] (3.3.53-60SD). As I’ve noted before, The Tempest is – perhaps unexpectedly – full of the language of sin and other theologically inflected ... The stage direction is editorial, but it seems

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ANTONIO  Thus, sir:. Although this lord of weak remembrance—this. Who shall be of as little memory. ... That he’s undrowned. ANTONIO  O, out of that ‘no hope’,. What great hope have you!

But it’s consistent with my reason for blogging about it. Mack uses the word ‘cognitive’ often, but although he cites Antonio Damasio on a number of occasions (mostly in relation

No comment, then, from Antonio, or from the King to Antonio, but rather what begins as a wondering request for information from the King: how on earth did you survive? ... Prospero magnanimous (still), Sebastian cornered, Antonio silent… (5.1.125-134)

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... ANTONIO  And sowing the kernels of it in the sea, bring forth more islands!

ANTONIO  Noble Sebastian,. Thou let’st thy fortune sleep—die rather; wink’st. Whiles thou art waking. ... SEBASTIAN  Thou dost snore distinctly. There’s meaning in thy snores. ANTONIO  I am more serious than my custom.

PROSPERO  Whereon—. A treacherous army levied—one midnight. Fated to th’purpose did Antonio open. ... 1.2.127-135). Is it a literal or a metaphorical detail that Antonio himself opened the gates of Milan?

ANTONIO  My will is something sorted with his wish. Muse not that I thus suddenly proceed,. ... Antonio: do you want to go to Milan? Proteus: TOTALLY not my call!

SEBASTIAN  Well, I am standing water. ANTONIO  I’ll teach you how to flow. ... Antonio will teach him how to flow, in tidal terms, grow higher, whereas Sebastian comments that his hereditary sloth, either his lazy nature, his natural lack of ambition

ANTONIO  I’ll believe both;. And what does else want credit, come to me. ... Space is left for Antonio and Sebastian to be mocking; they are certainly not changed or especially moved.

Prospero’s brother Antonio learned these lessons very well, became perfect in them – and once he was, he took over all the people, supporters, counsellors, who had previously been Prospero’s ... But instead Antonio has been like rampant ivy,

ANTONIO  I like thy counsel. Well hast thou advised. And that thou mayst perceive how well I like it,. ... 1.3.34-44). This is all excellent advice and I’m in complete agreement, says Antonio; I like thy counsel.