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centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

Thus, while Maus reads the reconciliation of Antonio, Portia, and Bassanio without cynicism—male friendship and companionate marriage, she contends, are not mutually exclusive—she admits that the happiness in Belmont

The Sultan al-Mansur audaciously proposed to place Don António on the Portuguese throne and to reconquer Al-Andalus, a plan that Brotton suggests is part of Elizabeth’s larger

key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this? ... SEBASTIAN  He’s gone. ANTONIO  Then tell me, Who’s the next heir of Naples?

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

3 Jul 2024: M. Wilson In act 1 scene 2 of Shakespeare’s The Two Gentlemen of Verona, Antonio discusses his son with his friend Panthino. ... E. M. Wilson/strong/p p/p pIn act 1 scene 2 of Shakespeare’s emThe Two Gentlemen of Verona/em, Antonio discusses his son

Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

Marco Dorigatti traces Antonio Panizzi’s meteoric rise from political refugee to Principal Librarian of the British Museum (and an eventual knighthood).

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.