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admin | Renaissance Research Group | Page 2
https://www.english.cam.ac.uk/research/renaissance/?author=1&paged=2Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio. -
David Landreth, The Face of Mammon: The Matter of Money in English…
https://www.english.cam.ac.uk/spenseronline/review/item/43.1.4/disavowal. Although the play’s central characters, Shylock, Antonio, and Bassanio, continuously use coinage to articulate what they desire, they insist that the things they are using currency to express are -
Alex Davis, Imagining Inheritance from Chaucer to Shakespeare
https://www.english.cam.ac.uk/spenseronline/review/item/52.1.9/one accounts for the long tradition of the prodigal son archetype, Shakespeare’s manipulation of it, and the queer energies of the play (Bassanio is certainly not unappealing to Antonio). -
Ian Frederick Moulton, Love in Print in the Sixteenth Century
https://www.english.cam.ac.uk/spenseronline/review/item/45.3.10/He embarks by proposing an analysis of four sixteenth- and seventeenth-century texts: Castiglione’s Il Cortegiano, Mario Equicola’s De natura d’amore, Giovanni Antonio Tagliente’s Opera amorosa, and -
Centre for Material Texts » Events
https://www.english.cam.ac.uk/cmt/?cat=4&paged=8Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof. -
Thomas Fulton and Kristen Poole, eds., The Bible on the Shakespearean …
https://www.english.cam.ac.uk/spenseronline/review/item/49.2.14/Reformation England (Cambridge: Cambridge University Press 2018). Antonio’s warning in The Merchant of Venice, ‘Mark you this, Bassanio, the devil can cite Scripture for his purpose’ (1.3.91-92), -
Centre for Material Texts » Jason Scott-Warren
https://www.english.cam.ac.uk/cmt/?author=2&paged=15Francesco Benelli (Columbia) turned our attention to a tiny diagram–less than one inch square–that the Renaissance architect Antonio da Sangallo the Younger added in the margins of his copy ... Antonio de Nebrija (1441-1522) was a Spanish -
Hester Lees-Jeffries | Slow Shakespeare | Page 15
https://www.english.cam.ac.uk/research/slow-shakespeare/author/hmml2/page/15/DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I […]. SILVIA A fine volley of words, gentlemen, and quickly shot off. -
Kathleen Christian and Bianca de Divitiis, eds., Local Antiquities,…
https://www.english.cam.ac.uk/spenseronline/review/item/49.2.13/In the later fifteenth century, for example, the Milanese writer Antonio Cornazzano wrote De Laudibus Caroli Magni (1461) and his compatriot Alberto Cattaneo compiled a history of the kings of France -
Uncategorised | Stormtossed | Page 3
https://www.english.cam.ac.uk/research/stormtossed/category/uncategorised/page/3/Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.
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