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Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.

Reformation England (Cambridge: Cambridge University Press 2018). Antonio’s warning in The Merchant of Venice, ‘Mark you this, Bassanio, the devil can cite Scripture for his purpose’ (1.3.91-92),

Francesco Benelli (Columbia) turned our attention to a tiny diagram–less than one inch square–that the Renaissance architect Antonio da Sangallo the Younger added in the margins of his copy ... Antonio de Nebrija (1441-1522) was a Spanish

DUKE Know ye Don Antonio, your countryman? VALENTINE Ay, my good lord, I […]. SILVIA A fine volley of words, gentlemen, and quickly shot off.

In the later fifteenth century, for example, the Milanese writer Antonio Cornazzano wrote De Laudibus Caroli Magni (1461) and his compatriot Alberto Cattaneo compiled a history of the kings of France

Home, both in word and […]. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner, attended by ADRIAN and FRANCISCO.

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

Thus, while Maus reads the reconciliation of Antonio, Portia, and Bassanio without cynicism—male friendship and companionate marriage, she contends, are not mutually exclusive—she admits that the happiness in Belmont

The Sultan al-Mansur audaciously proposed to place Don António on the Portuguese throne and to reconquer Al-Andalus, a plan that Brotton suggests is part of Elizabeth’s larger

key Of officer and office, set all hearts i’th’ state To what tune pleased his […]. PROSPERO  My brother and thy uncle, called Antonio— I pray thee mark me, that a

Dear, they durst not, So dear the love my people bore me, […]. PROSPERO  Whereon— A treacherous army levied—one midnight Fated to th’purpose did Antonio open The gates of Milan

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this? ... SEBASTIAN  He’s gone. ANTONIO  Then tell me, Who’s the next heir of Naples?

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

Drawing Letter Forms and Lines. This is a series of meetings organized by Sachiko Kusukawa and Alexander Marr in conversation with Paul Antonio. ... Meeting 2: Tuesday 21st November, 2-5pm, CRASSH. Study Day with Paul Antonio.

Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.

relational gestures / a post by Helen Magowan. November 24th, 20201 Sasareishi, volume 1 f.12v-13r. 1713, Hasegawa Myōtei. Ebibunko. The first image in this blog post shows a page from a book published in 1713. In three volumes, it’s a

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.

Enter SEBASTIAN, ANTONIO and GONZALO. Yet again? What do you here? Shall we give o’er and drown? ... BOATSWAIN  Work you, then. ANTONIO  Hang, cur! Hang you, whoreson, insolent noise-maker!

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analogues, a tale within the fourth chapter of Antonio de Eslava’s Noches de Invierno [Winter Nights] (1609).

GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

PROSPERO  I am woe for’t, sir. ALONSO  Irreparable is the loss, and […]. PROSPERO  Welcome, my friends all; [aside to Sebastian and Antonio] But you, my brace of lords, were I

Marco Dorigatti traces Antonio Panizzi’s meteoric rise from political refugee to Principal Librarian of the British Museum (and an eventual knighthood).

Torino: Erasmo, 1960. Rumeu de Armas, Antonio. Hernando Colón, historiador del descubrimiento de América. ... Two vols. (vol. I catalogue, vol. II indexes). Segura Morera, Antonio & Pilar Vallejo Orellana.

Panthino advises Antonio to let his son ‘spend his time no more at home’, and Antonio agrees:. ... While this is less the teleological march towards perfection which Antonio desires for his son, it is instead a messily generative story of

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

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8] Antonio de Torquemada, The Spanish Mandeuile of Miracles (1600), sig.33v: “there is indeede much talke of the Mermaydes, whom they say from the middle vpward to haue the shape ... San Antonio photo booth rental 9 months, 1 week ago.

San Antonio 5 months, 3 weeks ago. I enjoy reading your post.

ANTONIO  O, ’twas a din to fright a monster’s ear— To make an earthquake! ... SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this?

PROTEUS May’t please […]. ANTONIO  I like thy counsel. Well hast thou advised. ... PANTINO  ’Twas of his nephew Proteus, your son. ANTONIO Why, what of him?

Torino: Erasmo, 1960. Rumeu de Armas, Antonio. Hernando Colón, historiador del descubrimiento de América. ... Two vols. (vol. I catalogue, vol. II indexes). Segura Morera, Antonio & Pilar Vallejo Orellana.

centuries, led by the scribe, Paul Antonio, focusing upon examples from the composite music manuscript, the Montpellier Codex (Montpellier, Bibliothèque de Médecine, H 196).

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

8] Antonio de Torquemada, The Spanish Mandeuile of Miracles (1600), sig.33v: “there is indeede much talke of the Mermaydes, whom they say from the middle vpward to haue the shape ... San Antonio photo booth rental 9 months, 1 week ago.

ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... ANTONIO  Let’s all sink wi’th’King. SEBASTIAN  Let’s take leave of him.

By applying the theories of Antonio Gramsci, Pierre Bourdieu, and Pascale Casanova to readings of these authors’ contexts and the content of their texts, Malachi McIntosh reveals how World War-era

On the one hand, the play features numerous acts of decision: Bassanio decides to woo Portia, Portia decides to marry according to the terms of the lottery, Antonio decides to agree ... On the other hand, the play casts these decisions under the umbra of

brother enough that his friend Antonio mixes them up, and enough that when she looks in the mirror, he appears there:.

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

But it’s consistent with my reason for blogging about it. Mack uses the word ‘cognitive’ often, but although he cites Antonio Damasio on a number of occasions (mostly in relation

SEBASTIAN  What a strange drowsiness possesses them! ANTONIO  It is the quality o’th’ climate. ... Dropping upon thy head. SEBASTIAN  What, art thou waking? ANTONIO  Do you not hear me speak?

Lisa Aziz-Zadeh and Antonio Damasio, ‘Embodied semantics for actions: Findings from functional brain imaging’, Journal of Physiology – Paris, 102 (2008), 35-39.

ANTONIO  Then tell me, Who’s the next heir of Naples? SEBASTIAN  Claribel. ... What might, Worthy Sebastian, O, […]. ANTONIO  Nay, good my lord, be not angry.