Search

Illustrating an episode in the Old Testament Book of Kings (II xviii.24-33), this scene was painted by Hand A.

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

Carl Blechen. Artist. Nationality: German. 1798 - 1840. At age 24, Blechen left his career in banking to attend the Academy of Arts, Berlin, where he studied under landscape artist Peter Ludwig

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

Manuscripts in the making. Hours of the Virgin. Texts and Images. A frontispiece showing the Annunciation with the patrons introduces the Hours of the Virgin. The text of Matins, the first of the 8 Hours recited daily at the canonical times for

Manuscripts in the making. Modelling of draperies. Artists' Techniques. Draperies of different colours were modelled in different ways. Dark blue, orange and dark pink fabrics were painted in uniform hues, with folds defined by black lines, and

Texts and Images. The third book, with 24 chapters, is devoted to the human soul and its relation to the body.

Folio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline).

24: The Ponte Nomentano, the Sabine Hills in the Distance.

Folio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline).

00:08:06 - 00:08:24. Elvira somebody who's worked at the Tate Modern. ... 00:08:24 - 00:09:46. Elvira It's so interesting that you mention technique.

Breslau, now Wroclaw 1799 - 1853 Berlin. 2019-S.24: Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris.

Manuscripts in the making. Prayer O intemerata and scenes from the Pilgrimage of Jesus Christ. Texts and Images. A common prayer to Mary as an intercessor for humanity, O intemerata (‘O immaculate Virgin’) opens with a large miniature of the

Layers. Folio 24 r. Virgin and Child (prayer O intemerata). This composition, with a figure seated on a bench and books displayed on the desk, replicates the design of the image

Illustrating an episode in the Old Testament Book of Kings (II xviii.24-33), this scene was painted by Hand A.

Bordeaux 1824 - 1884 Bellevue Seine-et-Oise. 2012-S.24(II): Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris.

At age 24, Blechen left his career in banking to attend the Academy of Arts, Berlin, where he studied under landscape artist Peter Ludwig Lütke.

Versailles 1789 - 1837 Paris. 2016-S.24: Fondation Custodia. Rights held by: Fondation Custodia, Collection Frits Lugt, Paris, gift of Jacques and Brigitte Gairard, Lyon.

At age 24, Blechen left his career in banking to attend the Academy of Arts, Berlin, where he studied under landscape artist Peter Ludwig Lütke.

Manuscripts in the making. Tooling and decoration of the gold leaf. Artists' Techniques. The burnished gold leaf, applied over a chalk ground, was incised with lines and dots. Additionally, on fol. 2v, spirals were painted over the gold with an

24: The Ponte Nomentano, the Sabine Hills in the Distance.

Manuscripts in the making. John de Pabenham and Joan Clifford of Frampton. Owners. John de Pabenham of Favenham, Bedfordshire (d. 1331) and Joan Clifford of Frampton, Gloucestershire. He is depicted wearing chainmail and a surcoat emblazoned with

Texts and Images. The third book, with 24 chapters, is devoted to the human soul and its relation to the body.

Layers. Folio 24 r. Virgin and Child (prayer O intemerata). This composition, with a figure seated on a bench and books displayed on the desk, replicates the design of the image