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A celebrated print by the fifteenth-century German artist Martin Schongauer, below [1879.5.24-73], shows his temptation by demons more as a full-on physical assault than an attempt

24 January 2011. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

For more information visit the Kids in Museums website. 24 May 2019.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Unidentified coat of arms (Psalm 24). This coat of arms has been tentatively associated with four families: Warberton, Gorges, Morville and Mortimer of Attleborough.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Manuscripts in the making. Hours of the Virgin. Texts and Images. Each of the eight Hours of the Virgin, recited daily at the canonical times for prayer, opens with a large miniature depicting an event in the Virgin’s life. The eight miniatures

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

Manuscripts in the making. Assistants of the Rohan Masters. Artists. Several other illuminators assisted the Giac, Rohan and Madonna Masters. The most accomplished among them painted three large miniatures (fols. 119r, 134r, 147r). The Pentecost

00:14:24 - 00:14:27. Ali Smith The saints and martyrs of this dream museum. ... Luke Syson social function,. 00:19:23 - 00:19:24. Luke Syson but that is.

Folio 37 r. Border motif of hybrid (Psalm 24). A hybrid is poised at the top of the bar border painted by the Macclesfield Master’s assistant.

It was purchased from him by John Ruskin (1819-1900) on 24 February 1854 and sold by Ruskin’s heir to Henry Yates Thompson (1838-1929) in 1904.

36r. Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

24 March 2010. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

Folio 37 r. Border motif of hybrid (Psalm 24). A hybrid is poised at the top of the bar border painted by the Macclesfield Master’s assistant.

Manuscripts in the making. Hours of the Cross. Texts and Images. The Hours of the Cross marked the specific times of the day associated with the stages in Christ’s Passion. This manuscript contains the short version, with seven rather than all

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

the Fitzwilliam Museum collection, now on display in case 24.

Part of the exhibition, Magdalene Odundo in Cambridge, on display at The Fitzwilliam Museum, Cambridge between 5 October 2021 and 24 July 2022.

Manuscripts in the making. Master of the Grandes Heures. Artists. A talented associate of the Master of the Bible of Jean de Sy painted nine of the ten large miniatures of the Grandes Heures, together with their bas-de-page scenes, as well as most

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

Manuscripts in the making. Yellow and orange pigments. Artists' Materials. Technical analyses revealed the presence of realgar, lead-tin yellow type I, an organic yellow and an ochre rich in clay minerals. The same clay-rich ochre was also used to

24 September 2010. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

Museum over the ten years 1999–2009, which ran from 20 October 2009 to 24 January 2010.

Manuscripts in the making. The Pabenham-Clifford Hours. England,. c. 1315-1320. MS 242. Books of Hours, often personalised for individual use, were essential to the devotional practices of both the clergy and lay people who counted them among their

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

Manuscripts in the making. Green pigments and mixtures. Artists' Materials. Green hues were obtained in a variety of ways: copper sulphates, copper carbonates as well as mixtures of azurite with lead-tin yellow and an organic yellow were identified.

A bust of Napoleon. The army with which Napoleon invaded Russia on 24 June 1812 is thought to have been the largest ever assembled for a single campaign up to that

Folio 24 v. Crucifixion (Hours of the Cross). This page was illuminated by the Painter of Additional 15677.

i modern parchment flyleaf, 250 x 180 mm (163 x 105 mm), 24 long lines, ruled in brown ink (original campaign) or red ink (some 15th-century additions), offsets of some

24: The Ponte Nomentano, the Sabine Hills in the Distance.

Manuscripts in the making. Differences in palette. Artists' Materials. Some of the differences in palette identified within the manuscript allow us to specify the palette used by each of the four main artists. In most cases, the technical analysis

Joseph Mallord William Turner A Beech Wood with Gypsies Round a Campfire, and A Beech Wood with Gypsies seated in the Distance. Viewpoint details. A Beech Wood with Gypsies seated in the Distance. A Beech Wood with Gypsies round a Campfire. It

Interviews will be held on 24 February 2022. Please quote reference DA29409 on your application and in any correspondence about this vacancy.

Joseph Mallord William Turner. Artist. Nationality: British. 1775 - 1851. Turner’s annual trips throughout Britain and multiple continental tours fed his vast output of landscape paintings. Painting from nature, however, was not a regular activity

Folio 24 v. Coronation of the Virgin with bas-de-page scene of a man attacking a lion (Hours of the Virgin, Compline).

The mummified late-Roman cat in case 18, gallery 19, and the painted Predynastic pot in case 24, gallery 19, are examples of some of the objects he presented to the

Towry Whyte, E. (1902) 'Types of ancient Egyptian draughts-men', Proceedings of the Society of Biblical Archaeology 24.

Manuscripts in the making. The Painter of Additional 15677. Artists. Most of the large miniatures and historiated initials were illuminated by an artist named the Painter of Additional 15677 after another Book of Hours (London, BL, Add. MS 15677).

J.M. Wagstaff, ‘Colonel Leake’s collections: their formation and their acquisition by the University of Cambridge’, Journal of the History of Collections 24(3) (2012) pp.

Layers. Folio 24 r. Virgin and Child (prayer O intemerata). This composition, with a figure seated on a bench and books displayed on the desk, replicates the design of the image

24 February 2016. Sign up to our emails. Be the first to hear about our news, exhibitions, events and more….

These include the Fitzwilliam's own Outdoor Festival of Chinese Culture planned for 24 July 2010, a day-long celebration of Chinese culture offering music, art, food and more, in the

Salary range: £35,308-£43,155 Closing date: 24 July 2023. Download the job pack.

2016-S.24: Fondation Custodia. Storm at Handeck, Alexandre Calame. PD.38-2004: Fitzwilliam Museum.