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24: The Ponte Nomentano, the Sabine Hills in the Distance.

Like the Christian hero in Martin Schongauer’s late fifteenth-century print, The Temptation of St Anthony, left [1879.5.24.13], Dürer’s Knight is heroic in his indifference to

On Saturday 24 October Dr Nina Lübbren (Art Historian, Principal Lecturer in Film Studies, Deputy Head of Department of English and Media, Anglia Ruskin University) discusses power and resistance in sculpture

The Convalescent. Detail. The Convalescent, c.1923-4. In fifty years' time I shall be known as the brother of Gwen John. Augustus John. While Augustus John’s flattering prediction about his older sister has not entirely come to pass – he is

Notice will be deemed received and properly served immediately when posted on our website, 24 hours after an e-mail is sent, or three days after the date of posting of ... 24. Our right to vary these terms and conditions. 24.1 We have the right to revise

A celebrated print by the fifteenth-century German artist Martin Schongauer, below [1879.5.24-73], shows his temptation by demons more as a full-on physical assault than an attempt

Please note that from Tuesday 30 August until Saturday 24 September, the upper floor galleries of the Fitzwilliam Museum will be closed to the public while we prepare to re-display ... We look forward to reopening the upper floor galleries with some

throne of Spain; anonymous sale, ('Property of a distinguished Foreign Nobleman', sent for sale by Joseph Bates), Christie's, 24 May 1845 (71) bt.

Sustainability. Episode. Episode 6 of What Are Museums For?: released on 24 March 2022.

The studio depicted here was on the top floor of 24 Rue Fagard in Bohain, the small, northern town in which Matisse had grown up and to which in 1903 he