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The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuartManuscripts in the making. The Hours of Isabella Stuart. France, Angers. c. 1431. MS 62. One of the most extensively illustrated Books of Hours in existence, this volume contains a unique, highly personalised combination of images and texts. It was -
The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/technique/underdrawing-193Manuscripts in the making. Underdrawing. Artists' Techniques. The extensive underdrawing in brown ink which is revealed in the majority of the illuminations, both through thinly laid colours or paint losses and in the near-infrared images, is -
The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/artist/assistants-of-the-rohan-mastersManuscripts in the making. Assistants of the Rohan Masters. Artists. Several other illuminators assisted the Giac, Rohan and Madonna Masters. The most accomplished among them painted three large miniatures (fols. 119r, 134r, 147r). The Pentecost -
The Hours of Isabella Stuart | ILLUMINATED
https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/the-hours-of-isabella-stuart/theme/prayer-o-intemerata-and-scenes-from-the-pilgrimage-of-jesus-christManuscripts in the making. Prayer O intemerata and scenes from the Pilgrimage of Jesus Christ. Texts and Images. A common prayer to Mary as an intercessor for humanity, O intemerata (‘O immaculate Virgin’) opens with a large miniature of the -
The Fitzwilliam Museum - Young people get insight into Museum work…
https://www.fitzmuseum.cam.ac.uk/news/young-people-get-insight-into-museum-work-with-new-scheme%0A2011. The scheme, aimed at 18-24 year olds who have been out of work for six months, is taking place in institutions across the country, including the East of England, -
The Fitzwilliam Museum - William Martin Leake
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/context/patrons-donors-collectors/william-martin-leakeJ.M. Wagstaff, ‘Colonel Leake’s collections: their formation and their acquisition by the University of Cambridge’, Journal of the History of Collections 24(3) (2012) pp. -
The Fitzwilliam Museum - Where paintings have been – Matt Smith
https://www.fitzmuseum.cam.ac.uk/conversations/podcasts/in-my-minds-eye/where-paintings-have-been-matt-smith00:03:24 - 00:03:24. Matt Smith and, I think,. 00:03:25 - 00:03:38. ... 00:14:09 - 00:14:24. Matt Smith would they somehow link this idea of doing some prints using flowers? -
The Fitzwilliam Museum - Virtue, Vice & the Senses: Prints…
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/virtue-vice-the-senses-prints-1540-1660Virtue, Vice & the Senses: Prints 1540–1660. Details. This exhibition is now in our archive. This exhibition looks at the spread and development of prints representing abstract qualities such as the five senses, seven virtues and deadly sins. -
The Fitzwilliam Museum - View of the Grand Canal, Venice
https://www.fitzmuseum.cam.ac.uk/explore-our-collection/highlights/PD106-1992Themes and periods. Data from our collections database. Commander David Heber-Percy; his sale, London, Christie's, 25 June 1971, lot 24; with Leggatt Brothers, London; Dr McDonald. -
The Fitzwilliam Museum - View of the Colosseum in Rome
https://www.fitzmuseum.cam.ac.uk/plan-your-visit/exhibitions/true-to-nature-open-air-painting-in-europe-1780-1870/labels/view-of-the-colosseum-in-romeAt age 24, Blechen left his career in banking to attend the Academy of Arts, Berlin, where he studied under landscape artist Peter Ludwig Lütke.
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