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  2. In Memoriam. Professor Darryl Gless (1945-2014)

    https://www.english.cam.ac.uk/spenseronline/review/volume-44/442/in-memoriam-darryl-j-gless/in-memoriam-professor-darryl-gless-1945-2014/
    Having graduated from the University of Nebraska with a major in English in 1968, he won a Rhodes Scholarship to study at the University of Oxford (Lincoln College), where he joined ... Every bit of scholarship I ever produced would be impossible without
  3. Naomi Booth, Swoon: A Poetics of Passing Out

    https://www.english.cam.ac.uk/spenseronline/review/volume-52/522/reviews/naomi-booth-swoon-a-poetics-of-passing-out/
    Unlike many of the other examples in the book, Troilus’s swoon has already received critical attention, but Booth advances and complicates previous scholarship by also exploring Criseyde’s swoon (which, ... She places these ‘asymmetrical’ swoons
  4. Cassandra Gorman, The Atom in Seventeenth-Century Poetry

    https://www.english.cam.ac.uk/spenseronline/review/volume-52/523/reviews/cassandra-gorman-the-atom-in-seventeenth-century-poetry/
    Recent years have seen the publication of influential works of scholarship such as Gerard Passannante’s The Lucretian Renaissance: Philology and the Afterlife of Tradition (2011) and Catastrophizing: Materialism and the ... Gorman builds on previous
  5. Michiko Ogura, Words and Expressions of Emotion in Medieval English

    https://www.english.cam.ac.uk/spenseronline/review/volume-44/442/reviews/michiko-ogura-words-and-expressions-of-emotion-in-medieval-english/
    A clearer account of Ogura’s corpus as well as of the scholarship on textual tradition and context would help every part of this chapter, especially those treating the Gospels, where ... Recent scholarship on emotions and on syntax, notably on
  6. Jennifer C. Vaught, Architectural Rhetoric in Shakespeare and Spenser

    https://www.english.cam.ac.uk/spenseronline/review/volume-50/503/reviews/jennifer-c-vaught-architectural-rhetoric-in-shakespeare-and-spenser/
    Considered in relation to recent scholarship, however, the most refreshing aspect of Vaught’s argument is that the early modern body it portrays is not exclusively ‘permeable’, leaky or vulnerably open. ... This architectural focus reflects a

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