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Before joining the Cambridge Faculty in 2016, I was Lecturer in early modern literature at the University of York. ... The Homeric Question in the Sixteenth Century: Early Modern Scholarship and the Text of Homer’, Renaissance Quarterly, 68 (2015),

Friday 11 November, 12.30-2, Portrait Room, Christ’s College. (in association with the Seminar in Early Modern Scholarship and Religion). ... Varieties of Writing Papers in Early Modern England’. All seminars will take place in the Faculty of English

Before joining the Cambridge Faculty in 2016, I was Lecturer in early modern literature at the University of York. ... The Homeric Question in the Sixteenth Century: Early Modern Scholarship and the Text of Homer’, Renaissance Quarterly, 68 (2015),

Ovid’s poetry in the Early Modern era; although Elizabethan and Jacobean engagements with the Metamorphoses—and, increasingly, the Heroides—routinely command critical attention, the reception of Ovid’s Amores remains ... This is a work of

Friday 11 November, 12.30-2, Portrait Room, Christ’s College. (in association with the Seminar in Early Modern Scholarship and Religion).

in the process the way embodied memory affected the form and focus of early modern verse. ... Building on the scholarship of writers like Michael Schoenfeldt and Gail Paster, who derive a description of early modern interiority and selfhood from early

The College currently has five Fellows in History and allied subjects who cover, between them, ancient, medieval, early modern, and modern history, and who teach a number of papers in British, ... and the relationship between law and politics between

Edmund Spenser and Animal Life. A colloquium at the University of Sussex, Centre for Early Modern and Medieval Studies Friday 18th June 2021. ... Led by scholars such as Erica Fudge, Laurie Shannon, Bruce Boehrer, and Karen Raber, this is a critical and

Chapters 3 and 4 consider major trends in Early Modern monster studies, Spenserian scholarship on monsters, and the gap opening up between them. ... And should we accept that the Early Modern mermaid’s identity is profoundly incoherent (8)?

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