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10 Sep 2017: Th e website hosted at Cambridge University is now completely updated, many thanks to Andrew Zurcher. ... Mutabilitie moves associatively from Earth/earth to animals and human beings—that is to us: And men themselues doe change continually, From youth

10 Sep 2017: Patricia Pires Boulhosa (Cambridge), ‘The survival of an Icelandic manuscript as a sewing pattern’ This paper tells the story of four leaves from a medieval Icelandic manuscript (AM 122 b fol), ... Benjamin Cartwright (Cambridge), ‘Delight in

10 Sep 2017: He has published on Spenser, and is in the midst of a long-term investigation of the permeation of natural history (and animals in particular) as a symbolic vocabulary throughout ... The paper is based on one delivered at the 2001 International Spenser

10 Sep 2017: Cambridge, MA: Harvard University Press, 1977, pp. 25-26. II. Works: Editions and Selections. ... The New Cambridge Bibliography of English Literature: Volume I 600-1660. Cambridge: Cambridge University Press, 1974, cols.

10 Sep 2017: Ed. Maren-Sofie Rpstvig. Cambridge: D. S. Brewer, 1975, pp. 13-53. 6.2. ... Cambridge: Cambridge University Press, 1974. viii 258pp. 7.1. 472. Berek, Peter.

10 Sep 2017: Cambridge. Mass.: Harvard University Press. 1982. vii+ 357 pp. $20.00. This is a book likely to bring joy to the hearts of most Spenserians. ... The poem includes a lengthy beast-fable describing the oppressive ascen-dancy of a human monarch over the

10 Sep 2017: Cullen, Patrick. Spenser, Marvell, and Renaissanae Pastoral. Cambridge, Mass.: Harvard University Press,1970. ... Fowler, Alastair. Triumphal Forms: Struatural Patterns in Elizabethan Poetry. Cambridge University Press, 1970.

10 Sep 2017: in or near Cambridge [after our last specific certification that he was there) without preferment in academic life and with a love story that ended unhappily"; and concedes that C. ... Basically a method of religious contemplation and sometimes a kind of

10 Sep 2017: Cambridge, Massachusetts: Harvard UP, 1987. xi 395 pp. $30.00. Although neither Spenser nor the cultural contexts of his age are central subjects of this learned and readable book, it warrants ... H. with Harvey, and of Colin and Immento with Spenser

10 Sep 2017: Its dominant motif is the battle; its dominant imagery is drawn from the world of nature: ferocious animals and the elements. ... 119-132. and the View from Eumnestes' Chamber." In Cambridge, Mass. and London: Harvard Univ.