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41 - 50 of 191 search results for Antonio Vidal-Puig |u:www.english.cam.ac.uk where 0 match all words and 191 match some words.

  1. Results that match 1 of 2 words

  2. March | 2020 | Stormtossed

    https://www.english.cam.ac.uk/research/stormtossed/2020/03/
    ANTONIO  I’ll believe both; […]. ANTONIO  [aside to Sebastian] I am right glad that he’s so out of hope. ... ANTONIO  Let it be tonight, For now they are oppressed with travail; they Will not, nor cannot, […]. Enter ALONSO, SEBASTIAN, ANTONIO,

  3. Stormtossed | Just another WordPress site | Page 18

    https://www.english.cam.ac.uk/research/stormtossed/page/18/
    SEBASTIAN  I’m out of patience. ANTONIO  We are merely cheated of our lives by drunkards. ... They are louder than the weather or our office. Enter SEBASTIAN, ANTONIO and GONZALO Yet again?

  4. February | 2020 | Stormtossed | Page 3

    https://www.english.cam.ac.uk/research/stormtossed/2020/02/page/3/
    SEBASTIAN  But for your conscience? ANTONIO  Ay, sir, […]. SEBASTIAN  What stuff is this? ... SEBASTIAN  He’s gone. ANTONIO  Then tell me, Who’s the next heir of Naples?

  5. January | 2020 | Stormtossed | Page 2

    https://www.english.cam.ac.uk/research/stormtossed/2020/01/page/2/
    GONZALO  Not since widow Dido’s time. ANTONIO  Widow? A pox o’that. ... SEBASTIAN  You have taken it […]. EnterALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO and others.

  6. Centre for Material Texts » Jason Scott-Warren

    https://www.english.cam.ac.uk/cmt/?author=2&paged=15
    Francesco Benelli (Columbia) turned our attention to a tiny diagram–less than one inch square–that the Renaissance architect Antonio da Sangallo the Younger added in the margins of his copy ... Antonio de Nebrija (1441-1522) was a Spanish

  7. Alex Davis, Imagining Inheritance from Chaucer to Shakespeare

    https://www.english.cam.ac.uk/spenseronline/review/item/52.1.9/
    one accounts for the long tradition of the prodigal son archetype, Shakespeare’s manipulation of it, and the queer energies of the play (Bassanio is certainly not unappealing to Antonio).

  8. Ian Frederick Moulton, Love in Print in the Sixteenth Century

    https://www.english.cam.ac.uk/spenseronline/review/item/45.3.10/
    He embarks by proposing an analysis of four sixteenth- and seventeenth-century texts: Castiglione’s Il Cortegiano, Mario Equicola’s De natura d’amore, Giovanni Antonio Tagliente’s Opera amorosa, and

  9. Centre for Material Texts » Events

    https://www.english.cam.ac.uk/cmt/?cat=4&paged=8
    Speakers: Prof. Antonio Sorella (University G. D’Annunzio Chieti Pescara) and Prof.

  10. Thomas Fulton and Kristen Poole, eds., The Bible on the Shakespearean …

    https://www.english.cam.ac.uk/spenseronline/review/item/49.2.14/
    Reformation England (Cambridge: Cambridge University Press 2018). Antonio’s warning in The Merchant of Venice, ‘Mark you this, Bassanio, the devil can cite Scripture for his purpose’ (1.3.91-92),

  11. Kathleen Christian and Bianca de Divitiis, eds., Local Antiquities,…

    https://www.english.cam.ac.uk/spenseronline/review/item/49.2.13/
    In the later fifteenth century, for example, the Milanese writer Antonio Cornazzano wrote De Laudibus Caroli Magni (1461) and his compatriot Alberto Cattaneo compiled a history of the kings of France

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